| Record ID | marc_ithaca_college/ic_marc.mrc:68395118:1078 |
| Source | Ithaca College Library |
| Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:68395118:1078?format=raw |
LEADER: 01078cam a2200313 a 4500
001 111483
005 19930325170219.0
008 910718s1992 njua b 001 0 eng
010 $a 91027246 $o24218967
035 $9AAM-9112
040 $aDLC$cDLC$dXIM
020 $a0691099723 (CL) :$c$55.00
020 $a0691019177 (PB) :$c$24.95
043 $ae-it---
050 00 $aN6915$b.S54 1992
082 00 $a709/.45/09024$220
049 $aXIMM
100 1 $aShearman, John K. G.
245 10 $aOnly connect-- :$bart and the spectator in the Italian Renaissance /$cJohn Shearman.
260 $a[Princeton, N.J.] :$bPrinceton University Press,$cc1992.
300 $axvii, 281 p. :$bill. (some col.) ;$c27 cm.
440 0 $aA.W. Mellon lectures in the fine arts ;$v1988
440 0 $aBollingen series ;$vXXXV, 37
500 $a"The National Gallery of Art, Washington, D.C."
504 $aIncludes bibliographical references and index.
650 0 $aArt, Italian.
650 0 $aArt, Renaissance$zItaly.
650 0 $aAudiences$xPsychology.
710 20 $aNational Gallery of Art (U.S.)