| Record ID | marc_ithaca_college/ic_marc.mrc:227659501:1487 |
| Source | Ithaca College Library |
| Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:227659501:1487?format=raw |
LEADER: 01487cam a2200337 a 4500
001 456679
005 20081023142357.0
008 080214s2008 nyua b 001 0 eng
010 $a 2008006436
035 $a192109708
040 $aDLC$cDLC$dBTCTA$dYDXCP$dBAKER$dYDX$dBWX$dOCLCG$dCDX$dOCLCG
020 $a1433101637
020 $a9781433101632
043 $ae-uk-en
050 00 $aPR3106$b.W66 2008
049 $aXIMM
100 1 $aWoo, Celestine.
245 10 $aRomantic actors and bardolatry :$bperforming Shakespeare from Garrick to Kean /$cCelestine Woo.
260 $aNew York :$bPeter Lang,$cc2008.
300 $axiii, 209 p. :$bill. ;$c24 cm.
440 0 $aStudies in Shakespeare ;$vv. 16
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction. Bardolatry and "romantic" actors -- David Garrick: commodifying Shakespeare -- John Philip Kemble: consecrating Shakespeare -- Sarah Siddons: feminizing Shakespeare -- Edmund Kean: ironic icon, transgressive tabula rasa.
600 10 $aShakespeare, William,$d1564-1616$xStage history$zEngland$zLondon.
600 10 $aShakespeare, William,$d1564-1616$xStage history$y1625-1800.
600 10 $aShakespeare, William,$d1564-1616$xStage history$y1800-1950.
600 10 $aGarrick, David,$d1717-1779$xPerformances.
600 10 $aKemble, John Philip,$d1757-1823$xPerformances.
600 10 $aSiddons, Sarah,$d1755-1831$xPerformances.
600 10 $aKean, Edmund,$d1787-1833$xPerformances.
994 $aC0$bXIM