| Record ID | marc_ithaca_college/ic_marc.mrc:226721349:1355 |
| Source | Ithaca College Library |
| Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:226721349:1355?format=raw |
LEADER: 01355cam a22003254a 4500
001 453654
005 20080707153311.0
008 061027s2007 nyua b 001 0 eng
010 $a 2006036187
035 $a(OCoLC)ocm76800651
040 $aDLC$cDLC$dBAKER$dBTCTA$dUKM$dC#P$dYDXCP$dIUL
015 $aGBA743515$2bnb
016 7 $a013761787$2Uk
020 $a9781580462488 (hardcover : alk. paper)
020 $a1580462480 (hardcover : alk. paper)
029 1 $aNLGGC$b305968203
029 1 $aAU@$b000041092018
029 1 $aNZ1$b11131388
090 $aML3812.D39$bP4 2007
100 1 $aDay-O'Connell, Jeremy.
245 10 $aPentatonicism from the eighteenth century to Debussy /$cJeremy Day-O'Connell.
260 $aRochester, NY :$bUniversity of Rochester Press,$c2007.
300 $axviii, 529 p. :$bill. ;$c24 cm.
440 0 $aEastman studies in music,$x1092-5228 ;$v[v. 46]
504 $aIncludes bibliographical references (p. [499]-514) and index.
505 0 $aScale. The rise of 6 in the nineteenth century -- Signification. The pastoral-exotic pentatonic ; The religious pentatonic -- Beyond signification. The pentatonic glissando ; Debussy and the pentatonic tradition.
650 0 $aPentatonic scales.
650 0 $aMusic$y18th century$xHistory and criticism.
650 0 $aMusic$y19th century$xHistory and criticism.
994 $aZ0$bXIM