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MARC Record from Ithaca College Library

Record ID marc_ithaca_college/ic_marc.mrc:218615869:2088
Source Ithaca College Library
Download Link /show-records/marc_ithaca_college/ic_marc.mrc:218615869:2088?format=raw

LEADER: 02088cam a22002894a 4500
001 401871
005 20070321153032.0
008 060327s2006 ctuag b 001 0 eng
010 $a 2006010348
035 $a65302064
040 $aDLC$cDLC$dBAKER$dYUS$dC#P$dBTCTA$dYDXCP$dIG#
020 $a0300110502
020 $a9780300110500
024 3 $a9780300110500
042 $apcc
050 00 $aML2075$b.S89 2006
049 $aXIMM
100 1 $aSullivan, Jack,$d1946-
245 10 $aHitchcock's music /$cJack Sullivan.
260 $aNew Haven [Conn.] :$bYale University Press,$cc2006.
300 $axix, 354 p. :$bill, music ;$c25 cm.
504 $aIncludes bibliographical references (p. 323-336) and index.
505 0 $aOverture -- The music starts -- Waltzes from Vienna : Hitchcock's forgotten operetta -- The man who knew too much : storm clouds over Royal Albert Hall -- Musical minimalism : British Hitchcock -- Rebecca : music to raise the dead -- Waltzing into danger -- Sounds of war -- Spellbound : theremins and phallic frescoes -- Notorious : bright sambas, dark secrets -- The paradine case : the unhappy finale of Hitchcock and Selznick -- Hitchcock in a different key : the post-Selznick experiments -- The band played on : a Tiomkin trio -- Rear window : the redemptive power of popular music -- Lethal laughter : Hitchcock's fifties comedies -- The man who knew too much : Doris Day versus the London Symphony -- The wrong man : music from the dark side of the moon -- Sing along with Hitch : music for television -- Vertigo : the music of longing and loss -- North by northwest : fandango on the rocks -- Psycho : the music of terror -- The birds : aviary apocalypse -- The music ends : Hitchcock fires Herrmann -- Topaz : the music is back -- Frenzy : out with Mancini, hold the Bach -- Family plot : Hitchcock's exuberant finale -- Finale : Hitchcock as maestro.
650 0 $aMotion picture music$xHistory and criticism.
650 0 $aTelevision music$xHistory and criticism.
600 10 $aHitchcock, Alfred,$d1899-1980$xCriticism and interpretation.
994 $aC0$bXIM