| Record ID | marc_ithaca_college/ic_marc.mrc:202752162:1122 |
| Source | Ithaca College Library |
| Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:202752162:1122?format=raw |
LEADER: 01122cam a22002774a 45 0
001 322479
005 20041118160923.0
008 011012s2002 njua b 001 0 eng
010 $a 2001048793
035 $a48222811
040 $aDLC$cDLC$dUKM$dC#P$dWSL
015 $aGBA2-X6594
020 $a0813530490
020 $a0813530482
042 $apcc
050 00 $aN7417.6$b.A64 2002
049 $aXIMM
100 1 $aApel, Dora,$d1952-
245 10 $aMemory effects :$bthe holocaust and the art of secondary witnessing /$cDora Apel.
260 $aNew Brunswick, N.J. :$bRutgers University Press,$c2002.
300 $axiv, 241 p. :$bill. ;$c26 cm.
504 $aIncludes bibliographical references (p. 204-233) and index.
505 0 $aThe artist as secondary witness -- A short history of Holocaust reception -- Picturing the vanished/transgressing the present -- The reinvention of memory -- Appropriating the testimonial form -- Landscape and the search for memory -- Fetishized Nazism and erotic fantasy -- The tattooed Jew.
650 0 $aArt, Jewish.
650 0 $aHolocaust, Jewish (1939-1945), in art.
994 $aC0$bXIM