| Record ID | marc_ithaca_college/ic_marc.mrc:196028497:1275 |
| Source | Ithaca College Library |
| Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:196028497:1275?format=raw |
LEADER: 01275cam a2200277 a 45e0
001 308694
005 20031110095846.0
008 030922s2003 ncua b s001 0 eng
010 $a 2002009070
035 $a50006525
040 $aDLC$cDLC$dUKM$dC#P
015 $aGBA3-Z6574
020 $a0807827606
043 $an-us---
050 00 $aN8232$b.H37 2003
049 $aXIMM
100 1 $aHarris, Michael D.,$d1948-
245 10 $aColored pictures :$brace and visual representation /$cMichael D. Harris ; foreword by Moyo Okediji.
260 $aChapel Hill :$bUniversity of North Carolina Press,$cc2003.
300 $axiv, 281 p. :$bill. (some col.) ;$c28 cm.
504 $aIncludes bibliographical references (p. [259-274) and index.
505 0 $aBlack: the discredited signifier/signified -- Constructing and visualizing race -- The nineteenth century: imaged ideology -- Aunt Jemima, the fantasy black mammy/servant -- Jezebel, Olympia, and the sexualized woman -- Color lines: mapping color consciousness in the art of Archibald Motley Jr. -- The language of appropriation: fantasies and fallacies -- Turning in from the periphery.
650 0 $aAfrican Americans in art.
650 0 $aAfrican American art.
650 0 $aAfrican Americans$xRace identity.
994 $aE0$bXIM