Record ID | marc_ithaca_college/ic_marc.mrc:187520224:1617 |
Source | Ithaca College Library |
Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:187520224:1617?format=raw |
LEADER: 01617cam a2200277 a 45e0
001 285644
005 20021022125624.0
008 020501s2000 nyu b s001 0 eng
010 $a 00008433
035 $a43487204
040 $aDLC$cDLC$dVVC$dOCL$dUKM$dCUM$dXIM
015 $aGBA1-08363
020 $a081478139X
020 $a0814781381
050 00 $aPN1995.9.A8$bS69 2000
049 $aXIMM
100 1 $aStaiger, Janet.
245 10 $aPerverse spectators :$bthe practices of film reception /$cJanet Staiger.
260 $aNew York :$bNew York University Press,$cc2000.
300 $avi, 242 p. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aModes of reception -- The perversity of specators: expanding the history of the classical Hollywood cinema -- Writing the history of American film reception -- Hybrid or inbred: the purity hypothesis and Hollywood genre history -- The romances of the blonde Venus: movie censors versus movie fans -- The cultural productions of A clockwork orange -- The places of empirical subjects in the event of mass culture: Jeanie Bueller and ideology -- Finding community in the early 1960s: underground cinema and sexual politics -- Taboos and totems: cultural meanings of The silence of the lambs -- Hitchcock in Texas: intertextaulity in the face of blood and gore -- Securing the fictional narrative as a tale of the historical real: The return of Martin Guerre -- Cinematic shots: the narration of violence.
650 0 $aMotion picture audiences.
650 0 $aFilm criticism.
650 0 $aMotion pictures$xPhilosophy.
994 $aE0$bXIM