| Record ID | marc_ithaca_college/ic_marc.mrc:180286373:1534 |
| Source | Ithaca College Library |
| Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:180286373:1534?format=raw |
LEADER: 01534cam a2200289 a 4500
001 275850
005 20010410110130.0
008 000510s2000 enka b 001 0 eng
010 $a 00040071 $o44014626
035 $9ADK-0790
040 $aDLC$cDLC$dUKM$dC#P$dVVC$dXIM
015 $aGBA0-Y0622
020 $a0198187149
043 $ae------
050 00 $aPN1821$b.P48 2000
082 00 $a792/.094/0903$221
049 $aXIMM
100 1 $aPeters, Julie Stone.
245 10 $aTheatre of the book, 1480-1880 :$bprint, text, and performance in Europe /$cJulie Stone Peters.
260 $aOxford ;$aNew York :$bOxford University Press,$c2000.
300 $axi, 494 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [444]-485) and index.
505 0 $aExperimenting on the page, 1480-1630 -- Drama as institution, 1630-1760 -- Illustrations, promptbooks, stage texts, 1760-1880 -- Reinventing "theatre" via the printing press -- Critical law, theatrical licence -- Accurate texts, authoritative editions -- The sense of the senses: sound, gesture, and the body on stage -- Narrative form and theatrical illusions -- Framing space: time, perspective, and motion in the image -- Dramatists, poets, and other scribblers -- Who owns the play? Pirate, plagiarist, imitator, thief -- Making it public -- Scenic pictures --Actor/author -- A theatre too much with us.
650 0 $aEuropean drama$xHistory and criticism.
650 0 $aPrinting$zEurope$xHistory.
650 0 $aTheater$zEurope$xHistory.
994 $aE0$bXIM