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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-034.mrc:57878258:3931
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-034.mrc:57878258:3931?format=raw

LEADER: 03931cam a2200625Ia 4500
001 16752167
005 20220827230157.0
006 m o d
007 cr cn|||||||||
008 100115s2009 enka ob 001 0 eng d
035 $a(OCoLC)ocn499056477
035 $a(NNC)16752167
040 $aOPELS$beng$epn$cOPELS$dCDX$dOCLCQ$dN$T$dYDXCP$dE7B$dOCLCQ$dOCLCF$dOCLCQ$dS3O$dOCLCQ$dUUM$dOCLCQ$dUKAHL$dYDX$dK6U$dOCLCO$dTYFRS
019 $a316218922$a646774969$a712980740
020 $a9780240521053
020 $a0240521056
020 $a9780080926957$q(electronic bk.)
020 $a0080926959$q(electronic bk.)
035 $a(OCoLC)499056477$z(OCoLC)316218922$z(OCoLC)646774969$z(OCoLC)712980740
037 $a149330:149484$bElsevier Science & Technology$nhttp://www.sciencedirect.com
037 $a9780080926957$bTaylor & Francis
050 4 $aTK7872.F73$bR87 2009
072 7 $aMUS$x023030$2bisacsh
082 04 $a786.74$222
049 $aZCUA
100 1 $aRuss, Martin.
245 10 $aSound synthesis and sampling /$cMartin Russ.
250 $a3rd ed.
260 $aOxford ;$aBurlington, MA :$bFocal,$c2009.
300 $a1 online resource (xxiv, 559 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 0 $aMusic technology series
520 $aSound Synthesis and Sampling' provides a comprehensive introduction to the underlying principles and practical techniques applied to both commercial and research sound synthesizers. This new edition has been updated throughout to reflect current needs and practices- revised and placed in a modern context, providing a guide to the theory of sound and sampling in the context of software and hardware that enables sound making. For the revised edition emphasis is on expanding explanations of software and computers, new sections include techniques for making sound physically, sections within analog and digital electronics. Martin Russ is well known and the book praised for its highly readable and non-mathematical approach making the subject accessible to readers starting out on computer music courses or those working in a studio. * Explains the theory of sound and sampling to allow readers to really understand the different types of synthesis and sound making * Covers all the latest technology and techniques in music production and sound design enabling the reader to get to grips with the current shape of computer technology and music composition * Includes glossary and jargon buster for quick reference and grasp of vocabulary.
505 0 $aBackground, Computers and software, Making sounds with analogue electronics, Making sounds with analogue/digital hybrid electronics, Making sounds with digital electronics, Making sounds with computer software, Sound-making techniques.
500 $aPrevious edition: 2004.
500 $aIncludes index.
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
650 0 $aComputer sound processing.
650 0 $aSynthesizer (Musical instrument)
650 6 $aSon$xTraitement par ordinateur.
650 6 $aSynthétiseur.
650 7 $asynthesizers.$2aat
650 7 $aMUSIC$xMusical Instruments$xPiano & Keyboard.$2bisacsh
650 7 $aComputer sound processing.$2fast$0(OCoLC)fst00872627
650 7 $aSynthesizer (Musical instrument)$2fast$0(OCoLC)fst01141189
650 7 $aSynt.$2sao
650 7 $aLjudproduktion$xdatorer och databehandling.$2sao
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aRuss, Martin.$tSound synthesis and sampling.$b3rd ed.$dOxford ; Burlington, MA : Focal, 2009$z9780240521053$z0240521056$w(DLC) 2008936153$w(OCoLC)229025850
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16752167$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS