MARC Record from marc_columbia

LEADER: 05314cam a2200841Ma 4500
001 16640354
005 20220716230941.0
006 m o d
007 cr cn|||||||||
008 060928s2007 enka ob 001 0 eng d
010 $a 2006032288
035 $a(OCoLC)ocn503443191
035 $a(NNC)16640354
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020 $a9780754686804$q(electronic bk.)
020 $a0754686809$q(electronic bk.)
020 $z9780754655466$q(hardback ;$qalk. paper)
020 $z9780754655480$q(pbk. ;$qalk. paper)
020 $z0754655466$q(hardback ;$qalk. paper)
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020 $a1351217852
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042 $adlr
050 4 $aML1380$b.E46 2007eb
072 7 $aMUS$x023030$2bisacsh
082 04 $a786.7$222
084 $a24.68$2bcl
049 $aZCUA
100 1 $aEmmerson, Simon,$d1950-
245 10 $aLiving electronic music /$cSimon Emmerson.
260 $aAldershot, Hants, England ;$aBurlington, VT :$bAshgate,$c©2007.
300 $a1 online resource (xviii, 195 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 171-185) and index.
505 0 $aLiving presence -- The reanimation of the world : relocating the live -- The human body in electroacoustic music : sublimated or celebrated? -- Playing space : towards an aesthetics of live electronics -- To input the live : microphones and other human activity transducers -- Diffusion-projection : the grain of the loudspeaker.
520 $aDrawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials but others refuse to abandon traditionally 'created and structured' electroacoustic work. Ly.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2011.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2011$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
588 0 $aPrint version record.
546 $aEnglish.
650 0 $aElectronic music$xHistory and criticism.
650 0 $aMusic$xPhilosophy and aesthetics.
650 6 $aMusique$xPhilosophie et esthétique.
650 7 $aMUSIC$xMusical Instruments$xPiano & Keyboard.$2bisacsh
650 7 $aElectronic music.$2fast$0(OCoLC)fst00907363
650 7 $aMusic$xPhilosophy and aesthetics.$2fast$0(OCoLC)fst01030408
650 7 $aMusikästhetik$2gnd
650 7 $aMusikphilosophie$2gnd
650 7 $aElektronische Musik$2gnd
650 17 $aElektronische muziek.$2gtt
650 17 $aElektroakoestische effecten.$2gtt
650 17 $aGeluidsweergave.$2gtt
650 17 $aGeluidstechniek.$2gtt
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aEmmerson, Simon, 1950-$tLiving electronic music.$dAldershot, Hants, England ; Burlington, VT : Ashgate, ©2007$w(DLC) 2006032288
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16640354$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS