MARC Record from marc_columbia

LEADER: 03597cam a2200565M 4500
001 16912600
005 20221119230949.0
006 m o d
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008 220904s2022 xx o 0|| 0 eng d
035 $a(OCoLC)on1343245608
035 $a(NNC)16912600
040 $aYDX$beng$cYDX$dTYFRS$dOCLCF
020 $a9781000772036$q(electronic bk.)
020 $a1000772039$q(electronic bk.)
020 $a9781003208174$q(electronic bk.)
020 $a1003208177$q(electronic bk.)
020 $a9781000771992$q(electronic bk. : PDF)
020 $a1000771997$q(electronic bk. : PDF)
020 $z1032072229
020 $z9781032072227
024 7 $a10.4324/9781003208174$2doi
035 $a(OCoLC)1343245608
037 $a9781003208174$bTaylor & Francis
050 4 $aPN1998.3.K83
072 7 $aPER$x004030$2bisacsh
072 7 $aSOC$x032000$2bisacsh
072 7 $aJFD$2bicssc
082 04 $a791.430233092$223
049 $aZCUA
245 00 $aGENDER, POWER, AND IDENTITY IN THE FILMS OF STANLEY KUBRICK$h[electronic resource].
260 $a[S.l.] :$bROUTLEDGE,$c2022.
300 $a1 online resource
490 0 $aRoutledge Advances in Film Studies
520 $aThis volume features a set of thought-provoking and long overdue approaches to situating Stanley Kubrick's films in contemporary debates around gender, race, and age--with a focus on women's representations. Offering new historical and critical perspectives on Kubrick's cinema, the book asks how his work should be viewed bearing in mind issues of gender equality, sexual harassment, and abuse. The authors tackle issues such as Kubrick's at times questionable relationships with his actresses and former wives; the dynamics of power, misogyny, and miscegenation in his films; and auteur "apologism," among others. The selections delineate these complex contours of Kubrick's work by drawing on archival sources, engaging in close readings of specific films, and exploring Kubrick through unorthodox venture points. With an interdisciplinary scope and social justice-centered focus, this book offers new perspectives on a well-established area of study. It will appeal to scholars and upper-level students of film studies, media studies, gender studies, and visual culture, as well as to fans of the director interested in revisiting his workfrom a new perspective.
545 0 $aKaren A. Ritzenhoff is Professor in the Department of Communication at Central Connecticut State University, USA. Dijana Metlić is Associate Professor of Art History at the Academy of Arts, University of Novi Sad, Republic of Serbia. Jeremi Szaniawski is Assistant Professor of Comparative Literature and Film Studies at the University of Massachusetts Amherst, USA.
600 10 $aKubrick, Stanley$xCriticism and interpretation.
600 17 $aKubrick, Stanley.$2fast$0(OCoLC)fst00016382
650 0 $aMotion pictures$xProduction and direction$xHistory and criticism.
650 7 $aPERFORMING ARTS / Film & Video / History & Criticism$2bisacsh
650 7 $aSOCIAL SCIENCE / Gender Studies$2bisacsh
650 7 $aMotion pictures$xProduction and direction.$2fast$0(OCoLC)fst01027357
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aRitzenhoff, Karen A.
700 1 $aMetlić, Dijana.
700 1 $aSzaniawski, Jeremi.
776 08 $iPrint version:$z1032072229$z9781032072227$w(OCoLC)1313607045
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16912600$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS