MARC Record from marc_columbia

LEADER: 03404cam a2200601Ii 4500
001 16899055
005 20221104150211.0
008 210827t20222022gw a bc 000 0 eng d
035 $a(OCoLC)on1265347749
040 $aYDX$beng$erda$cYDX$dBDX$dUKMGB$dOCLCO$dOCLCF$dOHX$dNOC$dCDX$dERASA$dZAQ
015 $aGBC208342$2bnb
016 7 $a020451939$2Uk
020 $a3791379402$q(English trade edition)
020 $a9783791379401$q(English trade edition)
020 $a9783791390802$q(English museum edition)
020 $a3791390805$q(English museum edition)
020 $z9783791379395$q(German trade edition)
020 $z9783791390796$q(German museum edition)
035 $a(OCoLC)1265347749
041 1 $aeng$hger
050 4 $aTR652$b.N4713 2022
082 04 $a770.9/034$223
130 0 $aNeue Kunst.$lEnglish
245 12 $aA new art :$bphotography and Impressionism /$cedited by Ortrud Westheider, Michael Philipp and Daniel Zamani ; exhibition and catalog: Ulrich Pohlmann with Helene von Saldern ; exhibition curator, Wuppertal: Anna Baumberger ; with contributions by Monika Faber [and 8 others].
264 1 $aMunich :$bPrestel,$c[2022]
264 4 $c©2022
300 $a280 pages (some folded) :$billustrations (some color) ;$c31 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aExhibitions held at Museum Barberini, Potsdam, February 12 to May 8, 2022, and Von der Heydt-Museum, Wuppertal, October 2, 2022 to January 8, 2023.
504 $aIncludes bibliographical references (pages 270-276).
520 $a"In the 19th century, numerous photographers chose the same motifs as Impressionist painters: the forest of Fontainebleau, the cliffs of Étretat or the modern metropolis of Paris. They, too, studied the changing light, seasons and weather conditions. From its inception, photographers pursued artistic ambitions, as evidenced by their experimentation with composition and perspective, by means of various technical procedures. Until the First World War, the relationship between photography and painting was characterized both by competition and mutual influence. The exhibition and catalogue examine these interactions and illuminate the development of the new medium from the 1850s to its establishment as an autonomous art form around 1900"-- Provided by publisher.
546 $aTranslated from the German.
650 0 $aPhotography$xHistory$y19th century$vExhibitions.
650 0 $aImpressionism (Art)$vExhibitions.
650 6 $aPhotographie$xHistoire$y19e siècle$vExpositions.
650 6 $aImpressionnisme (Art)$vExpositions.
650 7 $aImpressionism (Art)$2fast$0(OCoLC)fst00968249
650 7 $aPhotography.$2fast$0(OCoLC)fst01061714
648 7 $a1800-1899$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aExhibition catalogs.$2lcgft
700 1 $aWestheider, Ortrud,$eeditor.
700 1 $aPhilipp, Michael,$d1962-$eeditor.
700 1 $aZamani, Daniel,$eeditor.
710 2 $aMuseum Barberini (Potsdam, Germany),$ehost institution.
710 2 $aVon der Heydt-Museum,$ehost institution.
029 1 $aUKMGB$b020451939
029 1 $aDKDLA$b800010-katalog:99124080311905763
852 00 $bfax4off$hTR652$i.N4713 2022g