MARC Record from marc_columbia

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035 $a(OCoLC)on1338300927
040 $aYDX$beng$erda$cYDX$dERASA$dUKMGB$dYDX$dOCLCF$dBDX
015 $aGBC2H7426$2bnb
016 7 $a020766670$2Uk
020 $a9048558131$q(paperback)
020 $a9789048558131$q(paperback)
035 $a(OCoLC)1338300927
043 $ae-ne---
050 4 $aPN2071.G4$bL36 2022
082 04 $a792.309492$223
049 $aZCUA
100 1 $aLangen, Marijn de,$eauthor.
245 10 $aDutch mime /$cMarijn de Langen.
264 1 $aAmsterdam :$bAmsterdam University Press,$c[2022]
264 4 $c©2022
300 $a340 pages :$billustrations (some color) ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 8 $aThis is the first full-length monograph on the history of Dutch mime. 00Dutch mime is a vibrant and innovatory branch of contemporary theatre which evolved in the margins of the theatre establishment from the early 1960s, leaving far behind its origins in literal pantomime. Mime in this Dutch tradition challenges the audience's perception and experience by centring on the bodies and movement of the performers and audience in relation to scenography, time and space. Dutch mime performers and makers are inventors, inclined to start from zero, an empty space in which nothing is fixed and no laws have been established. Since the 1960s, interdisciplinarity has been at the core of its development: it is a theatre practice that defines itself through connections with visual arts, sculpture, music, installation, land-art, literature, architecture, technology and film. 00Dutch mime has generated innovation and upheaval in Dutch and international theatre over the decades. However, until now, its history has not been written. This book fills the gap. It examines and articulates specific embodied knowledge that has been characteristic of the Dutch mime tradition since the 1960s.
650 0 $aMime$xHistory$zNetherlands.
650 7 $aMime.$2fast$0(OCoLC)fst01021913
852 0 $bglx$hPN2071.G4$iL36 2022g