MARC Record from marc_columbia

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035 $a(OCoLC)on1273728072
035 $a(NNC)16056904
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020 $a9781315623047$q(electronic bk.)
020 $a1315623048$q(electronic bk.)
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020 $z9781138649484
020 $z9781138649491
024 8 $a10.4324/9781315623047$2doi
035 $a(OCoLC)1273728072
037 $a9781315623047$bTaylor & Francis
050 4 $aNX650.S68
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082 04 $a709.04/074$223
049 $aZCUA
100 1 $aHolmes, Thom.
245 10 $aSound Art :$bConcepts and Practices.
250 $aFirst edition.
264 1 $a[Place of publication not identified] :$bRoutledge,$c2022.
300 $a1 online resource (152 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
505 0 $aList of FiguresList of TablesPreface1 Launching a Study of Sound Art2 How Sound Works (with Stephan Moore) 3 Sounds and Nature4 Voice and Language5 Sounds of the Body6 Captured Sound7 Transmitted Sound in Communication8 The Sounding Object 9 Acoustic Spaces10 Sonification 11 Noise and Sound Art12 Conservation and Documentation of Sound Art13 Making Sound Art AccessibleIndex
520 $aSound Art offers the first comprehensive introduction to sound art written for undergraduate students. Bridging and blending aspects of the visual and sonic arts, modern sound art first emerged in the early twentieth century, and has grown into a thriving and varied field. In fourteen thematic chapters, this book enables students to clearly grasp both the concepts behind this unique area of art, and its history and practice. Each chapter begins with an exploration of key ideas and theories, followed by in-depth discussion of selected relevant works, both classic and current. Drawing on a broad, diverse range of examples, and firmly interdisciplinary, this book will be essential reading for anyone studying or teaching the theory, history, appreciation, or practice of sound art.
545 0 $aThom Holmesis a music historian and composer. He studied composition with Paul Epstein in Philadelphia, was the longtime publisher of the magazine Recordings of Experimental Music (1979⁰́₃85), authored the book Electronic and Experimental Music (Routledge), and worked with John Cage. He curates a podcast called The Holmes Archive of Electronic Music during which he explores vintage recordings of electronic music and has conversations with sound artists. He was a member of Composers Inside Electronics during 2014-15, an electronic music performing ensemble dedicated to the realization of works by David Tudor. Holmes also produces a personal blog Noise and Notations and has written a blog called Moog: A History in Recordings, for the Bob Moog Foundation.
588 0 $aVendor-supplied metadata.
650 0 $aSound in art.
650 7 $aART$xAssemblage Art.$2bisacsh
650 7 $aART$xSculpture.$2bisacsh
650 7 $aSound in art.$2fast$0(OCoLC)fst01127003
655 4 $aElectronic books.
776 08 $iPrint version :$z9781138649484
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16056904$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS