MARC Record from marc_columbia

LEADER: 02195cam a2200325Ii 4500
001 16123342
005 20220429100009.0
008 220204t20222022enka b 001 0 eng d
024 $a40031046337
035 $a(OCoLC)on1295402960
040 $aERASA$beng$erda$cERASA$dBDX$dYDX
019 $a1290197236
020 $a9780500293706$qhardcover
020 $a0500293708$qhardcover
035 $a(OCoLC)1295402960$z(OCoLC)1290197236
050 4 $aN6490$b.N63 2022
082 04 $a709.04$223
100 1 $aNochlin, Linda,$eauthor.
245 10 $aMaking it modern :$bessays on the art of the now /$cLinda Nochlin; edited by Aruna D'Souza.
264 1 $aLondon ;$aNew York, NY :$bThames & Hudson Ltd.,$c2022.
300 $a448 pages :$billustrations (color) ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 8 $aThis illustrated, edited collection of essays brings together for the first time some of the pioneering art historian Linda Nochlin's most important writings on modernism and modernity from across her six-decade career. Before the publication of her seminal tract on feminism in art, 'Why Have There Been No Great Women Artists?', Nochlin had already firmly established herself as a major practitioner of a politically sophisticated and class-conscious social art history, with her writings on modernism being transformative to the discipline.0Nochlin embraced Charles Baudelaire's conviction that modernity meant to be of one's time - and that the role of an art historian was to understand the art of the past not only in its own historical context, but according to the urgencies of the contemporary world. From academic debates about the nude in the 18th century to the work of Robert Gober in the 21st, whatever she turned her analytic eye to was very much conceived as the art of the now - the art we need to look at to navigate the complexities and contradictions of the present.
650 0 $aArt, Modern$y20th century.
700 1 $aD'Souza, Aruna,$eeditor.
852 00 $boff,fax$hN6490$i.N63 2022