MARC Record from marc_columbia

LEADER: 05434cam a2200529 i 4500
001 16098748
005 20220620090704.0
008 200512t20212021nyua b 001 0 eng
010 $a 2020022207
024 $a99990517926
035 $a(OCoLC)on1161997149
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dYDX$dBDX$dYDX$dERASA$dJ9U$dUCIDS$dTJC
019 $a1163950552
020 $a9780197532973$qhardcover
020 $a0197532977$qhardcover
020 $z9780197532997$qelectronic publication
020 $z9780197533000$qelectronic book
035 $a(OCoLC)1161997149$z(OCoLC)1163950552
042 $apcc
043 $ae-gx---
050 00 $aML3776$b.F89 2021
082 00 $a780.89/92404309045$223
100 1 $aFrühauf, Tina,$eauthor.
245 10 $aTranscending dystopia :$bmusic, mobility, and the Jewish community in Germany, 1945-1989 /$cTina Frühauf.
264 1 $aNew York, NY :$bOxford University Press,$c[2021]
264 4 $c©2021
300 $axxiii, 613 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 571-593) and index.
505 00 $gPart I :$tAfter the rupture : The interregnum and the culture of rebirth.$tIn the midst of rubble : Rebuilding a musical life in Berlin ;$tOut of the depths : The case of Munich and the South ;$tCommunal encounters : Frankfurt am Main and the North ;$tRemnants in the Soviet and French Zones and beyond ;$tRemembering the Holocaust : Mourning and celebration ;$tDisseminating survival : Jews, music, and the media ;$tEnd of dystopia? --$gPart II :$tMusic in motion : The Jewish communities in West Germany.$tReturning and leaving : Frankfurt in flux ;$tRebuilding with or without organ ;$tCantors on the move ;$tRegenerating a choral music culture ;$tMusic in social life --$gPart III :$tThe presence of absence : Jewish (heritage) music in East Germany.$tDystopia under Communism : Communities in the crossfire of politics ;$tWerner Sander and the formation of the Leipziger Synagogalchor ;$tFacing cultural stagnation : Musical life after Sander ;$t"Making Antifascist politics visible" : Jewish heritage music and Cold War politics ;$tLeipziger Synagogalchor in the service of state propaganda ;$tJewish culture in public diplomacy, memory politics, and the curious case of Halle ;$tProjecting Utopia : Jewish heritage music abroad ;$tPolitics of commemoration and reorientation --$gPart IV :$tMusic as vortex in Jewish Berlin.$tEstablishment of the Judische Gemeinde von GroG-Berlin ;$tAnniversary year of 1971 and the dawn of detente ;$tRise of the Jiidische Gemeinde zu Berlin ;$tDeterioration and recovery : The Jiidische Gemeinde Berlin, Hauptstadt der DDR ;$tToward a new communal future : Parallel sound worlds and rapprochement.
520 $a"Transcending Dystopia features pioneering research on the role music played in its various connections to and contexts of Jewish communal life and cultural activity in Germany from 1945 to 1989. As the first history of the Jewish communities' musical practices during the postwar and Cold War eras, it tells the story of how the traumatic experience of the Holocaust led to transitions and transformations, and the significance of music in these processes. As such, it relies on music to draw together three areas of inquiry: the Jewish community, the postwar Germanys and their politics after the Holocaust (occupied Germany, the Federal Republic, the Democratic Republic, and divided Berlin), and on the concept of cultural mobility. Indeed, the musical practices of the Jewish communities in the postwar Germanys cannot be divorced from politics as can be observed in their relations to Israel and United States. On the grounds of these conceptual concerns, selective communities serve as case studies to provide a kaleidoscopic panorama of musical practices in worship and in social life. Within these pillars, the chapters in this volume cover a wide spectrum of topics from music during commemorations, on the radio and in Jewish newspapers to synagogue concerts and community events; from the absence and presence of cantor and organ to the resurgence of choral music. What binds these topics tightly together is the specific theoretical inquiry of mobility. Interdisciplinary in scope and method, the book builds on recent scholarship in Cold War studies, cultural history, German studies, Holocaust studies, and Jewish studies"--$cProvided by publisher.
650 0 $aJews$zGermany$xMusic$xHistory and criticism.
650 0 $aMusic$zGermany$y20th century$xHistory and criticism.
650 7 $aJews$xMusic.$2fast$0(OCoLC)fst00983314
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
650 7 $aJews$zGermany$xMusic$xHistory and criticism.$2nli
650 7 $aMusic$zGermany$y20th century$xHistory and criticism.$2nli
650 7 $aSynagogue music$zGermany$xHistory and criticism.$2nli
650 7 $aJewish communities$zGermany (West)$2nli
650 7 $aJewish communities$zGermany (East)$2nli
648 7 $a1900-1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aFrühauf, Tina,$tTranscending dystopia$dNew York : Oxford University Press, 2020.$z9780197532997$w(DLC) 2020022208
852 0 $bbar$hML3776$i.F89 2021