MARC Record from marc_columbia

LEADER: 04022cam a2200625 i 4500
001 16072782
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008 220316s2020 ck a c 000 0 spa d
035 $a(OCoLC)on1304788861
040 $aH7K$beng$erda$cH7K$dOCLCO$dOCLCF$dOCLCO$dNNC
020 $a9789584913449
020 $a9584913441
035 $a(OCoLC)1304788861
041 0 $aspa$aeng
043 $as-ck---
050 4 $aN6679.A75$bA4 2020
049 $aZCUA
100 1 $aArias, Fernando,$d1963-$eartist.
240 10 $aWorks.$kSelections
245 10 $aFernando Arias :$bnada que cesa = it hasn't ceased yet /$c[curaduria : Eugenio Viola ; coordinación : German Escobar].
246 31 $aIt hasn't ceased yet
246 30 $aNada que cesa
250 $aPrimera edición.
264 1 $aBogotá :$bEditorial MAMBO,$c2020.
300 $a277 pages :$billustrations (some color) ;$c26 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition held at the Museo de Arte Moderno de Bogota (MAMBO) from April 16 to October 10, 2020.
505 8 $aNada que cesa. Apuntes sobre la obra políticamente (in) correcta de Fernando Arias / Eugenio Viola -- Siente uno pánico a las puertas del deseo / Jose Fernando Serrano Amaya -- De Análisis a 0566 (Contador de victimas) / Santiago Ruelas -- La encarnación del verbo / Fernando Arias y Gabriela Salgado -- Morir cuando ya está muerto (o el uso generoso del privilegio de estar vivo) / Paco Gómez Nadal -- Momentos decisivos / Jonathan Colin.
520 $aThe retrospective "Nada que Cesa" reviews more than 30 years of artistic production of artist Fernando Arias Gaviria (Armenia, Quindío, 1963). The artist highlights themes such as nation-building, power relations, politics, violence, armed conflict, the repressive dynamics that have determined religious and political institutions in the human being. "Arias' controversial research is completely rooted in Colombia's complex socio-political reality. He denounces the intolerable excess of political, social and cultural violence that intensifies the problems that affect the country, and by extension, that involve contemporary society." explains Eugenio Viola, curator of the exhibition. The title of the exhibition was inspired by one of the phrases of the Colombian national anthem "¡Cesó la horrible noche!" (the horrible night ceased!), but the artist expresses in his work that in truth this horrible night never ceased.
546 $aTexts in Spanish and English.
600 10 $aArias, Fernando,$d1963-$vExhibitions.
650 0 $aVideo art$zColombia$vExhibitions.
650 0 $aInstallations (Art)$zColombia$vExhibitions.
650 0 $aArt, Colombian$y21st century$vExhibitions.
651 0 $aViolence in art$xExhibitions.
650 6 $aArt vidéo$0(CaQQLa)201-0061056$zColombie$0(CaQQLa)201-0476621$vExpositions.$0(CaQQLa)201-0378191
650 6 $aInstallations (Art)$0(CaQQLa)201-0145458$zColombie$0(CaQQLa)201-0476621$vExpositions.$0(CaQQLa)201-0378191
650 6 $aArt colombien$0(CaQQLa)201-0263612$y21e siècle$0(CaQQLa)201-0373679$vExpositions.$0(CaQQLa)201-0378191
650 7 $aArt, Colombian.$2fast$0(OCoLC)fst00816138
650 7 $aInstallations (Art)$2fast$0(OCoLC)fst00974250
650 7 $aVideo art.$2fast$0(OCoLC)fst01166389
651 7 $aColombia.$2fast$0(OCoLC)fst01205916
648 7 $a2000-2099$2fast
655 7 $aexhibition catalogs.$2aat$0(CStmoGRI)aatgf300026096
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
655 7 $aCatalogues d'exposition.$2rvmgf$0(CaQQLa)RVMGF-000001063
655 7 $aExhibition catalogs$2lcgft.
700 1 $aEscobar, German,$eeditor.
700 1 $aViola, Eugenio.
710 2 $aMuseo de Arte Moderno (Bogotá, Colombia),$eissuing body,$ehost institution.
852 00 $boff,fax$hN6679.A76$iA4 2020g