MARC Record from marc_columbia

LEADER: 03997cam a2200769 i 4500
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006 m o d
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008 121219s2013 enk ob 001 0 eng d
035 $a(OCoLC)ocn895728215
035 $a(NNC)16066800
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016 7 $a016167776$2Uk
019 $a822227324$a823725659$a824655028$a964805140$a1086454526$a1135593979
020 $a9781136502385$q(electronic bk.)
020 $a1136502386$q(electronic bk.)
020 $a9780415574167$q(Cloth)
020 $a0415574161$q(Cloth)
020 $a9781283871952$q(MyiLibrary)
020 $a1283871955$q(MyiLibrary)
020 $a9780203144206
020 $a0203144201
020 $a9781136502330$q(e-book ;$qMobi)
020 $a1136502335
020 $a9781136502378$q(e-book ;$qePub)
020 $a1136502378
020 $a9780415574174$q(paperback)
020 $a041557417X
035 $a(OCoLC)895728215$z(OCoLC)822227324$z(OCoLC)823725659$z(OCoLC)824655028$z(OCoLC)964805140$z(OCoLC)1086454526$z(OCoLC)1135593979
037 $a418445$bMIL
050 4 $aZ124$b.R63 2013
072 7 $aTEC$2eflch
072 7 $aCRA$x046000$2bisacsh
072 7 $aDES$x001000$2bisacsh
072 7 $aTEC$x040000$2bisacsh
082 04 $a686.209$223
049 $aZCUA
100 1 $aRobertson, Frances,$d1952-
245 10 $aPrint culture :$bfrom steam press to ebook /$cFrances Robertson.
264 1 $aAbingdon, Oxon ;$aNew York :$bRoutledge,$c2013.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aDirections in cultural history
588 0 $aOnline resource; title from digital title page (viewed on December 19, 2012).
504 $aIncludes bibliographical references and index.
505 00 $g1.$tIntroduction --$g2.$t'Marked surfaces' --$g3 .$tSteam intellects --$g4.$tLithography and 'improper' printing --$g5.$tGreyscale: half-tone printing and the age of photomechanical reproduction --$g6.$tFound objects: copyshop culture --$g7.$tConclusion: post-print culture?
520 $aWith the advent of new digital communication technologies, the end of print culture once again appears to be as inevitable to some recent commentators as it did to Marshall McLuhan. And just as print culture has so often been linked with the rise of modern industrial society, so the alleged demise of print under the onslaught of new media is often also correlated with the demise of modernity. This book charts the elements involved in such claims-print, culture, technology, history-through a method that examines the iconography of materials, marks and processes of print, and in this s.
650 0 $aPrinting$xHistory.
650 0 $aPrinting$xSocial aspects$xHistory.
650 0 $aGraphic design (Typography)$xHistory.
650 6 $aImprimerie$xHistoire.
650 6 $aArts graphiques$xHistoire.
650 7 $aCRAFTS & HOBBIES$xBook Printing & Binding.$2bisacsh
650 7 $aDESIGN$xBook.$2bisacsh
650 7 $aTECHNOLOGY & ENGINEERING$xTechnical & Manufacturing Industries & Trades.$2bisacsh
650 7 $aGraphic design (Typography)$2fast$0(OCoLC)fst00946640
650 7 $aPrinting.$2fast$0(OCoLC)fst01076612
650 7 $aPrinting$xSocial aspects.$2fast$0(OCoLC)fst01076663
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aRobertson, Frances, 1952-$tPrint culture.$dLondon ; New York, NY : Routledge, 2013$z9780415574167$w(OCoLC)778425263
830 0 $aDirections in cultural history.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16066800$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS