MARC Record from marc_columbia

LEADER: 03717cam a2200457 i 4500
001 16060142
005 20220404140849.0
008 210831s2021 nyua bc 100 0 eng d
024 $a99990317350
035 $a(OCoLC)on1276785244
040 $aUKMGB$beng$erda$cUKMGB$dOCLCF$dTOH$dLMJ$dBKL$dNYP$dCAM$dOCLCO$dYDX
020 $a9780847868674
020 $a0847868672$qhardcover
035 $a(OCoLC)1276785244
050 4 $aN6496.N49$bP76 2021
082 04 $a709.05/107476335$223
111 2 $aProspect New Orleans (Exhibition)$n(5th :$d2021-2022 :$cNew Orleans, La.)
245 10 $aProspect.5 New Orleans :$byesterday we said tomorrow /$ceditors, Naima J. Keith, Diana Nawi ; essayists, Jeffrey U Darensbourg [and five others] ; photo essayist, L. Kasimu Harris ; poet, Robin Coste Lewis ; contributors, Carlos Agredano [and twenty-nine others].
246 30 $aYesterday we said tomorrow
264 1 $aNew York, NY :$bRizzoli Electa ;$aNew Orleans, LA :$bIn association with Prospect New Orleans,$c[2021]
300 $a271 pages :$billustrations (chiefly color) ;$c30 x 21 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition presented throughout the City of New Orleans, October 23, 2021-January 23, 2022.
504 $aIncludes bibliographical references.
520 $aProspect New Orleans is a citywide contemporary art triennial that was conceived in the aftermath of Hurricane Katrina. Emphasising collaborative partnerships and site-specificity, Prospect presents artwork by local, national, and international artists in both traditional and highly unexpected environments. In the third iteration of this major exhibition, curators Naima Keith and Diana Nawi bring together 51 artists to engage New Orleans as context as they reconsider the concept of history, both global and local. Through many artistic strategies, architectural interventions, and public activations, the exhibition explores current social and political conditions that ask for a reconsideration of the past. The accompanying catalogue a collection of contributions from curators, poets, artists, and cultural critics considers several key themes that animate the ambitious artist projects: landscape and the natural world; history and haunting; ritual and performance; intimacy, life, and death.
505 0 $aYou betta recognize, ya heard me / L. Kasimu Harris -- Second line / Robin Cost Lewis -- Yesterday we said tomorrow / Naima J. Keith and Diana Nawi -- Looking forward, looking back / Naima J. Keith -- Signs preceding the end of the world / Diana Nawi -- Bulbancha: honoring indigenous culturea of the area in a single word / Jeffery U. Darensbourg -- Time as a proposal / Amber Rose Johnson and Meg Onli -- New Orleans: the labyrinth of history / Kristina Kay Robinson -- At the edge of life / Thomas J. Lax -- I. History and haunting -- II. Landscape and the natural world -- III. Performance, ritual, and the public sphere -- IV. Intimacy, life, and death -- Félicité / Robin Coste Lewis.
650 0 $aArt, Modern$y21st century$vExhibitions.
650 0 $aHistory in art$vExhibitions.
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
648 7 $a2000-2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aKeith, Naima J.,$eeditor.
700 1 $aNawi, Diana,$eeditor.
700 1 $aDarensbourg, Jeffrey U.,$econtributor.
700 1 $aLewis, L. Kasimu,$ephotographer.
700 12 $aLewis, Robin Coste.$tSecond line.
852 00 $boff,fax$hN6496.N49$iP76 2021g