MARC Record from marc_columbia

LEADER: 02945cam a2200409Ii 4500
001 15515408
005 20210617150520.0
008 210227t20202020gw a bc 000 0 ger d
035 $a(OCoLC)on1240151294
040 $aOHX$beng$erda$cOHX$dJPG$dOCLCO
020 $a9783969120170$q(paperback)
020 $a3969120179
024 3 $a9783969120170
035 $a(OCoLC)1240151294
041 0 $ager$aeng
050 4 $aN6888.E33$bA4 2020
072 7 $aND$2lcco
245 00 $aLob der Malkunst :$bMargret Eicher /$cAutor*innen, Michael Buhrs, Margret Eicher, Marc Wellmann.
246 30 $aMargret Eicher
264 1 $aBerlin :$bDCV, Dr. Cantz'sche Verlagsgesellschaft GmbH & Co. KG,$c[2020]
264 4 $c©2020
300 $aapproximately 244 unnumbered pages :$billustrations (chiefly color) ;$c29 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition held at Museum Villa Stuck, München and Haus am Lützowplatz, Berlin, February 5, 2021-March 14, 2021.
504 $aIncludes bibliographical references.
520 $aMargret Eicher?s (b. Viersen, Germany, 1955; lives and works in Berlin) large-format tapestries combine the baroque form of the woven picture with familiar motifs excerpted from contemporary media images. She digitizes her sources and then assembles them in painstaking editing work on the computer. The resulting ?media tapestries? occupy the interface between the traditional work of art as a physical object and the electronic noise of the digital realm: two worlds that at first glance would seem to be incompatible yet find themselves in harmonious union in Eicher?s art. In Göttliche Liebe (Divine Love), for example, Caravaggio?s Crowning with Thorns meets a kissing gay couple from a pro-tolerance campaign in Berlin, while Botticelli?s Birth of Venus is sampled together with a subway station in Frankfurt. In conceptual art production, the creative idea is central and its realization becomes secondary; in a final twist, Lob der Malkunst (Praise of Painting) elects this practice as its artistic lodestar. Eicher installs the painter Martin Kippenberger in the interior of Berlin?s Paris Bar, where he poses as a dandy and presides over a clash between the different tendencies in the art of the twentieth and twenty-first centuries.00Exhibition: Villa Stuck, München, Germany (19.05. - 22.11.2020)/
546 $aTexts in German and English.
600 10 $aEicher, Margret,$d1955-$vExhibitions.
700 1 $aEicher, Margret,$d1955-$eartist.
700 1 $aBuhrs, Michael,$ewriter of supplementary textual content.
700 1 $aWellmann, Marc,$ewriter of supplementary textual content.
710 2 $aMuseum Villa Stuck,$ehost institution.
710 2 $aHaus am Lützowplatz (Berlin, Germany),$ehost institution.
852 00 $boff,fax$hN6888.E33$iA4 2020g