MARC Record from marc_columbia

LEADER: 04696cam a2200601 i 4500
001 15602615
005 20210916220340.0
008 190304t20192019bcca bc 000 0 eng
035 $a(OCoLC)1089004175
035 $a(OCoLC)on1089004175
035 $a(NNC)15602615
040 $aNLC$beng$erda$cYDX$dBDX$dNLC$dOCLCF$dNLC$dCNCAR$dOCLCO$dSFB$dYDX$dUAB$dOCLCO$dCHVBK$dOCLCO
015 $a2019015442X$2can
020 $a9781773270913$q(hardcover)
020 $a1773270915$q(hardcover)
042 $alac
043 $an-cn-bc$ae-fr---
050 4 $aND249.C3$bA4 2019
082 0 $a759.11$223
084 $acci1icc$2lacc
100 1 $aCarr, Emily,$d1871-1945,$eartist.
245 10 $aEmily Carr :$bfresh seeing--French modernism and the West Coast /$cKiriko Watanabe, Kathryn Bridge, Robin Laurence, Michael Polay.
246 30 $aFresh seeing :$bFrench modernism and the West Coast
264 1 $aVancouver ;$aBerkeley :$bFigure.1 ;$aWhistler, BC :$bAudain Art Museum,$c[2019]
264 4 $c©2019
300 $a159 pages :$billustrations (chiefly color) ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished in conjunction with the travelling exhibition of the same name held at the Audain Art Museum from September 21, 2019 to January 19, 2020, and at the Beaverbrook Art Gallery, Fredericton, N.B. from March 1 to May 31, 2020.
504 $aIncludes bibliographical references.
505 0 $aDirector's foreword / Dr. Curtis Collins -- "Everyone said Paris was the top of art": Emily Carr's French journey to modernism / Dr. Kathryn Bridge -- 1911 Exhibition at the Paris Salon d'Automne / Dr. Michael Polay -- A fresh look at the Northwest Coast / Kiriko Watanabe -- Looking at "fresh seeing" / Robin Laurence.
520 $a"In 1911, Emily Carr returned from a sixteen-month trip to France with a new understanding of French Modernism and a radically transformed painting style, one that broke free from the artistic shackles of her conservative training and embraced a new means of expression. Her studio experiences in Paris, her en plein-air painting in the French countryside, and her encounters with such artists as expatriate English painter William Henry Phelan Gibb, Scottish painter John Duncan Fergusson, and New Zealand watercolourist Frances Hodgkins had a profound impact on her work. Emily Carr: Fresh Seeing focuses on the dramatic changes in her painting style, showcasing the paintings, drawings, and watercolours that she produced in France, as well as the works she created upon her return to the West Coast of Canada in 1912. The text of her 1930 speech "Fresh Seeing," in which Carr sought to explain Modern art to her baffled public, is included alongside an essay by writer and critic Robin Laurence. Also featured are essays by Carr scholar Kathryn Bridge, who examines the artist's travels and studies with post-Impressionist artists in Paris, Crécy-en-Brie, St. Efflam, and Concarneau; collector Michael Polay, who details the inclusion of two of Carr's paintings in the famed Salon d'Automne alongside pieces by Marcel Duchamp, Henri Matisse, and many other internationally renowned artists; and Audain Art Museum curator Kiriko Watanabe, who recounts Carr's return to the West Coast and the paintings that resulted from her ambitious sketching expeditions to the Upper Skeena River, Haida Gwaii, and Alert Bay in the summer of 1912."--$cProvided by publisher.
600 10 $aCarr, Emily,$d1871-1945$vExhibitions.
650 0 $aModernism (Art)$zBritish Columbia$vExhibitions.
650 0 $aModernism (Art)$zFrance$vExhibitions.
600 16 $aCarr, Emily,$d1871-1945$vExpositions.
650 6 $aModernisme (Art)$zColombie-Britannique$vExpositions.
650 6 $aModernisme (Art)$zFrance$vExpositions.
600 17 $aCarr, Emily,$d1871-1945.$2fast$0(OCoLC)fst00041859
650 7 $aModernism (Art)$2fast$0(OCoLC)fst01024442
651 7 $aBritish Columbia.$2fast$0(OCoLC)fst01205265
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
600 17 $aCarr, Emily$d1871-1945$2gnd$0(DE-588)119194554
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
655 7 $aCatalogues d'exposition.$2rvmgf
700 12 $iContainer of (work):$aCarr, Emily,$d1871-1945.$tWorks.$kSelections.
700 12 $iContainer of (work):$aBridge, Kathryn Anne,$d1955-$t"Everyone said Paris was the top of art."
710 2 $aAudain Art Museum,$ehost institution,$epublisher.
710 2 $aBeaverbrook Art Gallery,$ehost institution.
852 00 $boff,fax$hND249.C3$iA4 2019g