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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-032.mrc:40920116:3218
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:40920116:3218?format=raw

LEADER: 03218cam a2200421 i 4500
001 15599175
005 20210914095115.0
008 210311t20212021ne a b 001 0 eng d
035 $a(OCoLC)on1227381958
040 $aYDX$beng$erda$cYDX$dOHX$dOUP$dOCLCO$dOCLCF$dYDX$dBDX$dOCL$dERASA$dPAU
020 $a9463727337$qhardcover
020 $a9789463727334$qhardcover
035 $a(OCoLC)1227381958
043 $ae-gx---
050 4 $aPN1993.5.G3$bB34 2021
082 04 $a791.430943$223
049 $aZCUA
100 1 $aBaer, Hester,$eauthor.
245 10 $aGerman cinema in the age of neoliberalism /$cHester Baer.
264 1 $aAmsterdam :$bAmsterdam University Press,$c[2021]
264 4 $c©2021
300 $a319 pages :$billustrations;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aFilm culture in transition
504 $aIncludes bibliographic references and index.
520 8 $aThis book presents a new history of German film from 1980-2010, a period that witnessed rapid transformations, including intensified globalization, a restructured world economy, geopolitical realignment, and technological change, all of which have affected cinema in fundamental ways. Rethinking the conventional periodization of German film history, Baer posits 1980-rather than 1989-as a crucial turning point for German cinema's embrace of a new market orientation and move away from the state-sponsored film culture that characterized both DEFA and the New German Cinema. Reading films from East, West, and post-unification Germany together, Baer argues that contemporary German cinema is characterized most strongly by its origins in and responses to advanced capitalism. Informed by a feminist approach and in dialogue with prominent theories of contemporary film, the book places a special focus on how German films make visible the neoliberal recasting of gender and national identities around the new millennium.
505 00 $aMachine generated contents note:$g1.$tGerman Cinema and the Neoliberal Turn: The End of the National-Cultural Film Project --$g2.$tProducing German Cinema for the World: Global Blockbusters from Location Germany --$g3.$tFrom Everyday Life to the Crisis Ordinary: Films of Ordinary Life and the Resonance of DEFA --$g4.$tFuture Feminism: Political Filmmaking and the Resonance of the West German Feminist Film Movement --$g5.$tThe Failing Family: Changing Constellations of Gender, Intimacy, and Genre --$g6.$tRefiguring National Cinema in Films about Labour, Money, and Debt.
650 0 $aMotion pictures$zGermany$xHistory and criticism.
650 0 $aNeoliberalism in motion pictures.
650 7 $aNeoliberalism in motion pictures.$2fast$0(OCoLC)fst02024668
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aBaer, Hester.$tGerman cinema in the age of neoliberalism.$dAmsterdam : Amsterdam University Press, [2021]$z9789048551958$w(OCoLC)1242868829
830 0 $aFilm culture in transition.
852 0 $bglx$hPN1993.5.G3$iB34 2021g