MARC Record from marc_columbia

LEADER: 03501cam a2200481Ii 4500
001 15996832
005 20220328083714.0
008 220211s2019 mx ach b 000 0 spa d
035 $a(OCoLC)on1296610487
040 $aH7K$beng$erda$cH7K$dOCLCO$dJPG$dOCLCF
019 $a1296404014
020 $a9786077372837$q(UAS)
020 $a6077372838
020 $a9786075421148$q(UMSNH)
020 $a6075421149
035 $a(OCoLC)1296610487$z(OCoLC)1296404014
043 $an-mx---
050 4 $aF1314$b.P47 2019
049 $aZCUA
100 1 $aPerea Romo, Diana María,$eauthor.
245 10 $aCultura visual y fotografía durante la revolución en Sinaloa :$bimágenes y significados de la guerra y la sociedad, 1911-1914 /$cDiana María Perea Romo.
250 $aPrimera edición.
264 1 $aMorelia Michoacón :$bUniversidad Michoacana de San Nicolás de Hidalgo, Instituto de Investigaciones Históricas ;$aCuliacán de Rosales, Sinaloa :$bUniversidad Autónoma de Sinaloa,$c2019.
300 $a298 pages :$billustrations, facsimile, portraits ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aLimited edition of 500 copies.
504 $aIncludes bibliographical references (pages 287-298).
505 8 $aLa imagen como espejo de la realidad: historia, conceptos y miradas historiográficas en torno a la fotografía -- La cultura visual moderna y los inicios de la fotografía en Sinaloa -- El ambiente visual de la Revolución Mexicana -- Entre cortinajes y fusiles: el retrato revolucionario en Sinaloa -- Imaginarios y especificaciones sobre la guerra -- La sociedad sinaloense frente a la Revolución Mexicana -- Conclusiones.
520 $aThis book has as its starting point the beginnings of a modern visual culture, located in the first half of the 19th century and the arrival of photography in Sinaloa. And it is the outbreak of the Mexican Revolution that is the propitious moment for new social actors to appropriate the symbolic space of the studio, affirming their identity from symbolic elements such as the rifle, the sword, the horse. The revolutionary portrait also includes women combatants, who start from their self-representation as contenders, sometimes masculinized conquer a fundamental symbolic place. The author studies the production of local photographers such as Alejandro Zazueta, Alberto Lohn, Mauricio Yáñez y Guillén, who portrayed the revolution in Sinaloa, between 1911 and 1914, with those that have certain regional similarities, such as Romualdo García in Guanajuato and Sara Castrejón in Guerrero, and Jesús Hermenegildo Abitia, and its coverage of the constitutionalist campaign.
650 0 $aPhotography$zMexico$zSinaloa (State)$xHistory$y20th century.
651 0 $aSinaloa (Mexico : State)$xHistory$yRevolution, 1910-1920$xWomen$vPictorial works.
651 0 $aSinaloa (Mexico : State)$xHistory$yRevolution, 1910-1920$vPortraits.
651 0 $aSinaloa (Mexico : State)$xHistory$yRevolution, 1910-1920$vPictorial works.
650 7 $aPhotography.$2fast$0(OCoLC)fst01061714
650 7 $aWomen.$2fast$0(OCoLC)fst01176568
651 7 $aMexico$zSinaloa (State)$2fast$0(OCoLC)fst01330190
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aPictorial works.$2fast$0(OCoLC)fst01423874
655 7 $aPortraits.$2fast$0(OCoLC)fst01423831
852 00 $boff,fax$hF1314$i.P47 2019g