MARC Record from marc_columbia

LEADER: 03429cam a2200529 i 4500
001 15774998
005 20211209095424.0
008 210922s2021 ne ad b 001 0 eng
010 $a 2021028845
035 $a(OCoLC)on1251765467
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dERASA$dOHX$dJPG$dNNC
020 $a9789004468245$q(hardback)
020 $a9004468242
020 $z9789004468719$q(ebook)
035 $a(OCoLC)1251765467
042 $apcc
043 $ae-fr---
050 00 $aN8600$b.C47 2021
082 00 $a707.50944$223
049 $aZCUA
100 1 $aChallis, David M.,$eauthor.
245 10 $aForeign currency volatility and the market for French modernist art /$cby David M. Challis.
263 $a2109
264 1 $aLeiden ;$aBoston :$bBrill,$c[2021]
300 $aXII, 262 pages :$billustrations (some color), charts ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aStudies in the history of collecting & art markets,$x2352-0485 ;$vvolume 12
504 $aIncludes bibliographical references (pages 241-254) and index.
520 $a"Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War activated powerful 'push' and 'pull' economic forces that compelled French art collectors to monetise their collections while simultaneously elevating the purchasing power of international art collectors. These factors are shown to have played a significant, and previously under-recognised role, in the large-scale translocation of French modernist art that radically accelerated its commercial and critical reception across the globe and positioned it at the apex of the newly established hierarchy of modern art"--$cProvided by publisher.
500 $aBased on the author's dissertation (Ph.D.)--University of Melbourne, 2018, under the title: Moving mountains : interwar collecting of French modernist art and the economics of translocation.
504 $aIncludes bibliographical references and index.
505 0 $aEconomic Disruption and the Monetisation of French Collections -- Samuel Courtauld as Private Collector and Public Donor -- Albert Barnes as Currency Opportunist and 'Visionary Art Educator' -- Kojiro Matsukata and the Economics of Rodin in Japan -- Institutional Inertia and the National Gallery of Victoria in Australia -- Assis Chateaubriand at the Museu de São Paulo and the Turn Toward Brazilian Modernism.
650 0 $aArt$zFrance$xMarketing$xHistory$y20th century.
650 0 $aArt$xCollectors and collecting$xHistory$y20th century.
650 0 $aModernism (Art)$zFrance$xForeign public opinion.
651 0 $aFrance$xEconomic conditions$y1918-1945.
650 7 $aArt$xCollectors and collecting.$2fast$0(OCoLC)fst00815195
650 7 $aArt$xMarketing.$2fast$0(OCoLC)fst00815293
650 7 $aEconomic history.$2fast$0(OCoLC)fst00901974
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aChallis, David M.$tForeign currency volatility and the market for French modernist art$dLeiden ; Boston : Brill, [2021]$z9789004468719$w(DLC) 2021028846
830 0 $aStudies in the history of collecting & art markets ;$vv. 12.
852 00 $boff,fax$hN8600$i.C47 2021