MARC Record from marc_columbia

LEADER: 11590cam a2200601 i 4500
001 15765774
005 20220730231054.0
006 m o d
007 cr cnu|||unuuu
008 181001s2019 flu ob 101 0 eng d
035 $a(OCoLC)on1055160588
035 $a(NNC)15765774
040 $aN$T$beng$erda$epn$cN$T$dN$T$dMERER$dUKMGB$dOCLCF$dOCLCQ$dYDX$dOCLCQ$dK6U$dOCLCO$dOCLCQ$dOCLCO
016 7 $a019084715$2Uk
019 $a1055684368
020 $a9780429680731$q(electronic bk.)
020 $a0429680732$q(electronic bk.)
020 $z9780367023973
020 $z0367023970
024 7 $a10.1201/9780429399831$2doi
035 $a(OCoLC)1055160588$z(OCoLC)1055684368
037 $a9780429680731$bIngram Content Group
050 4 $aBH301.H3
072 7 $aART$x000000$2bisacsh
082 04 $a701.17$223
049 $aZCUA
111 2 $aInternational Multidisciplinary Congress PHI$n(4th :$d2018 :$cAzores, Portugal)$jcreator.
245 10 $aModernity, frontiers and revolutions :$bproceedings of the 4th International Multidisciplinary Congress (PHI 2018), 3-6 October 2018, S. Miguel, Azores, Portugal /$ceditors, Maria do Rosário Monteiro & Mário S. Ming Kong ; co-editor, Maria João Pereira Neto.
264 1 $aBoca Raton, FL :$bCRC Press,$c2019.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed October 02, 2018).
505 00 $tPart I: Modernity: Frontiers and revolutions --$tKnow how and cultural context: From ideas to facts and from facts to ideas -- M. Silva --$tA silent revolution -- J. Seixas --$tA paradigm for the 21st century considering fuzzy logic -- G. Braviano --$tModernity, revolutions and frontiers in Philip Pullmans His Dark Materials or a contribution to the fourth culture -- M. do Rosrio Monteiro --$t--$tPart II: Architecture/urbanism/design --$tThe invention of the architect: The reiteration of the scale model as a representational system under the definition of a new paradigm for the profession -- J.M. Couto Duarte --$tArchitecture and modern science: The mathematics of the circlearithmetic and geometry as figure and symbol in the Renaissance and Baroque -- C.G. Gonalves --$tRevolutionised through glass: Russian modernism in the age of the Crystal Palace -- I. Seits --$t19th century industrial architecture related to the olive grove revolution in the province of Jan, Spain -- S.P. Alarcn --$tThe Joy at work as a revolution: Evolution of the industrial space, from the place of production to one of re-creation -- R. Maddaluno --$tVienna 1900: Stage of modernities -- J. Nunes --$tThe machine of living in Brazil: An Oscar Niemeyer experience -- E. Kuchpil and A. Pimentel dos Santos --$tThe Ural Architectural School: Integration into the international higher education space: Utopia or reality? -- I.V. Tarasova --$tArchitecture of representation X architecture of living -- G.M. de Carvalho --$tCultural anthropophagy and regionalism in the architectures of Brazil and Portugal in the 20th century -- U.M. de Andrade --$tExpressiveness and figuration in the construction of social architecture -- D. Chizzoniti and M. Moscatelli --$tLean alternative: The plastic use of concrete in the architecture of Paolo Soleri in the United States of America -- P. Viscomi --$tLike a machine in motion: The modernity of the Cagliari Opera House and the Osaka Expo Pavilion by Maurizio Sacripanti -- S. Centineo --$tThe influence of the proposals of the sixties: An open context of the contemporary city in a new hypermodern era -- A.M. Feliciano --$tModernity and preservation in Casa Forte: The dialogue between the frontier of the new and the protection of the ancient -- T. Fonseca, A. Fonseca and F. Moreira da Silva --$tOut of the BOXinto the BIM: The limits and paradoxes of creative thinking and the new frontiers for architecture teaching -- F. Oliveira --$tCastle cities and their contribution to modern Japan -- F. Carmo --$tA perspective on the Portuguese identity: The idea of modernity in A Exposiao do Mundo Portugues and Expo98 -- A. Neiva and J. Cabral Dias --$tBeyond self-hating urbanism; Identifying a common pathology -- J. Silva Jordao --$tThe urban project as a holistic approach to the recovery of degraded areas of public housing -- C. Montalbano --$tAn interscalar approach to the recovery of degraded neighbourhoods of public housing -- C. Chiarantoni --$tDwelling on the border; A strategy for refugees in the town of Calais -- M. Louro and B. Ribeiro --$tFinitio: Afore and beyond limit in the binomial We and Others -- J.L. Morgado --$tFrom palimpsest to an intentional identity re-inscription: The value and ways of preserving an identity essence in the urban and architectural rehabilitation of our contemporaneity -- A. Santos Leite --$tA quiet revolution: Electric mobility and the new city soundscape -- P.C. Monteiro --$tThe project as an instrument of social participationinclusive and reverential ecology project -- F. Moreira da Silva --$tInteractive printed book: A design experience -- M. Neves and I. Caixeiro --$tProduction of didactic material for visually impaired children in science teaching -- B. de Cssia Xavier Cassins Aguiar, G. de Frana Aguiar, A.F. Andrade and Q.S. Coden --$tProduction of didactic material for the visually impaired in mathematics teaching -- B. de Cssia Xavier Cassins Aguiar, G. de Frana Aguiar, A.F. Andrade and Q.S. Coden --$tDeveloping a trumpet configuration applying a methodology from design-by-drawing and craft evolution -- E. Aparo, F. Moreira da Silva and L. Soares --$tStandardisation of the female body and the plus-size market -- C. de Holanda Sousa Matos Sousa, M.J. Pereira Neto and H.P. Lopes --$t--$tPart III: Arts --$tThe self-reflection of the artists hands -- D. Swartz --$tThe modern paradigm of art and its frontiers -- G. Horvth --$tImaginary construction in visual art: The case of Piranesi and Matta-Clark -- S. Paiva de Sousa and M. Baptista-Bastos --$tModernity and frontiers: Art travel in the colonial context -- M.J. Castro --$tFalse sailing maps -- A.L.M.M. Rodrigues --$tLe Portugais by Georges Braque: A frontier and evocative boundary-place -- A. Vasconcelos --$tFree-hand drawing versus new technologies in project creative process -- A. Moreira da Silva --$tDigital technologies, a modern medium: Pushing frontiers through a creative artistic approach -- A. Canau --$tGraphite and pixel: Related knowledge of modernity -- A.R. Ortega and S. Weihermann --$t--$tPart IV: Humanities --$tRevolutions in film in the postmodern narrative: A matter of illusion and memory -- I. Borbely --$tIdeals, reality and frontiers of human existence in fiction films: Their expression, representation, living, telling and space -- C.M. Figueiredo --$tPraising silence in the modern literary artwork -- F. Ribeiro --$tApril in fantasy: Polyphonic memories of the revolution -- M. Rendeiro --$tModernity, gender and cultural representations in the work of Mozambican writer Suleiman Cassamo: Redefining the revolution and its legacy -- A.M. Martinho Gale --$tBreaking boundaries, challenging modernity, building revolutions: Rap in Portugal and its new generation of female voices -- F. Lupati --$tThe early sixties in the 20th century and their artistic expressions: The third and last Portuguese Modernism -- M. Baptista-Bastos and S. Paiva de Sousa --$tA hero with many faces; The frontiers of authorial identity in translated texts -- L. Sampaio da Silva --$tCrossing borders and dreaming the revolution in Nuno Braganas A Noite e o Riso -- L.S. Loureiro --$tAlexandria, the building of an imaginary city; Frontiers and silent, inner revolutions -- M. Avelar --$tNew winds, distinct times of the Church: The activity of Bishop Sardinha and the Provincial Nbrega in Brazil (16th century) -- M. Boscariol --$tWays of negotiating, social frontiers and modernity -- M.L.G. da Cruz --$tRevolts and revolutions under slavery -- M. do Rosrio Pimentel --$tTradition and modernity in the memory of an empire: The writing of A. Lopes Mendes -- A.P. Avelar --$tDemystifying oriental alterities: Pedro Teixeira and the early modern scientificity regarding the past -- M. de Ftima Rosa and I. Almeida --$tExploring Africa in the Nordic Press. David Livingstone, Henry Stanley and the popular fascination with exploration and adventure in Africa in the late 19th century -- K.S. Groop --$tThe contribution of Lusophone publishing in the autonomy of the periphery: Exile, diaspora, anti-colonialism and national literature in Africa -- D. Melo --$tAlfredo Bensade: A revolutionary in the tra ining of engineers -- A. Cardoso de Matos and M. da Luz Sampaio --$t--$tPart V: Social sciences --$tUniversal Exhibition Paris 1900: Celebration of modernity, women and fashion -- M.J. Pereira Neto --$tA revolutionary humanitarian: The moral socialism of Richard Congreve -- M. Wilson --$tMediator of modernity: Anders Svedberg as a link between the elite and the peasantry and between tradition and modernity -- J. Dahlbacka --$tDas Wunder von Leipzig; The Paulinum in Leipzig and palimpsestic memories of oppression and revolution -- K.S. Groop --$tTransculturation and translanguaging as representation of second modernity: Polish migrants in the East Midlands, UK -- R. Seredynska-Abou Eid --$tDestination development along the Austrian-Hungarian border -- R. Bagdi --$tThe role of flight specification in travel decision making -- A. Mondok, M. Krdi, A. Szab and R. Bakos --$tWhat revolution could be in the times of biocapitalism? -- S. Wrbel
520 3 $aThe texts presented in Proportion Harmonies and Identities (PHI) - MODERNITY, FRONTIERS AND REVOLUTIONS were compiled with the intent to establish a multidisciplinary platform for the presentation, interaction and dissemination of research. It also aims to foster awareness of and discussion on the topics of Harmony and Proportion with a focus on different visions relevant to Architecture, Arts and Humanities, Design, Engineering, Social and Natural Sciences, and their importance and benefits for the sense of both individual and community identity. The idea of modernity has been a significant driver of development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.
650 0 $aHarmony (Aesthetics)$vCongresses.
650 0 $aProportion$vCongresses.
650 6 $aHarmonie (Esthétique)$vCongrès.
650 6 $aProportion$vCongrès.
650 7 $aART$xGeneral.$2bisacsh
650 7 $aHarmony (Aesthetics)$2fast$0(OCoLC)fst00951538
650 7 $aProportion.$2fast$0(OCoLC)fst01079236
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aConference papers and proceedings.$2fast$0(OCoLC)fst01423772
700 1 $aMonteiro, Maria do Rosário,$eeditor.
700 1 $aKong, Mário,$d1964-$eeditor.
700 1 $aNeto, Maria João,$eeditor.
776 08 $iPrint version:$aInternational Multidisciplinary Congress PHI (4th : 2018 : Azores, Portugal), creator.$tModernity, frontiers and revolutions.$dBoca Raton, FL : CRC Press, 2019$z0367023970$z9780367023973$w(OCoLC)1054372648
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15765774$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS