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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-032.mrc:103271656:5065
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:103271656:5065?format=raw

LEADER: 05065cam a2200433 i 4500
001 15683305
005 20211118212756.0
008 210130s2021 nyuag b 000 0 eng d
024 $a99988601673
035 $a(OCoLC)on1235416577
040 $aYDX$beng$erda$cYDX$dNTG$dOCLCO$dOCLCF$dOCLCO$dOKU$dWTU
020 $a0978833724$q(paperback)
020 $a9780978833725$q(paperback)
035 $a(OCoLC)1235416577
050 4 $aML197.2$b.A73 2021
082 04 $a780$223
245 00 $aArcana IX :$bmusicians on music /$cedited by John Zorn.
246 3 $aArcana 9
246 3 $aArcana nine
264 1 $aNew York, NY :$bHips Road,$c2021.
300 $av, 336 pages :$billustrations, music ;$c25 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aArcana / Hips Road ;$vIX
520 $aInitiated in 1997 and now in its ninth installment, John Zorn's Arcana series is a major source of new music theory and practice in the 21st century. To date, close to 300 musicians spanning three generations have contributed, addressing the inner workings of composing, improvising, teaching, living, touring and thinking about music via essays, manifestoes, interviews, notebook entries, critical papers and more. Arcana illuminates via personal vision and experience through the undiluted words and thoughts of the practitioners themselves. This ninth volume is perhaps the most varied and imaginative installment yet, with contributions from classical masters John Luther Adams, Osvaldo Golijov, Ann Cleare and Aaron Jay Kernis, jazz virtuosos Christian McBride, Chris Potter, Tomeka Reid and Joel Ross, soundtrack composers Danny Elfman and Carter Burwell, vocalist Ganavya Doraiswami, recording engineer Ryan Streber and much, much more. Essential for composers, musicians, students and fans alike, this challenging and original collection provides deep insight into the work, mind and methodologies of some of the most remarkable creative minds of our time.
504 $aIncludes bibliographical references and a listening guide.
505 00 $gPreface /$rJohn Zorn --$tFrom the ridiculous to the sublime : Danny Kaye meets the interval machine /$rBruce Ackley --$tIn search of sacred space /$rJohn Luther Adams --$tOne approach to improvisation (or) possible perceived DNA of all music : words about sound that hopefully inspire thoughts to create sound /$rJim Black --$tShort time, long time, short time, long time /$rMartin Bresnick --$tHow Nino Rota saved me from a subrerranean freakout /$rCarter Burwell --$tPlaces in my music/My music in places /$rAnn Cleare --$tColour talk /$rBram de Looze --$tTachitipo : the living passport /$rZosha Di Castri --$tshards of ether /$rGanavya Doraiswamy --$tAnatomy of a big band : splintered stories /$rSam Eastmond --$tRanting and ruminating on rhythm : and the sweet mysteries of it all /$rDanny Elfman --$tA flickering and thickening : aspects of recorded music released betwee 2010 and 2019 /$rSasha Frere-Jones --$tThe school of the road /$rLeo Genovese --$tPeripheral dromes : unfamiliar earworms /$rKate Genitle --$tSuite #7 : a conversation between Johnny Gandelsman and Osvaldo Golijov at the end of Osvaldo's "Falling out of time Silkroad" tour and just before Johnny's tour of the violin transcription of Bach's "Six cello suites," edited by Leah Hager Cohen /$rOswaldo Golijov --$tA brief history of the piano-percussion quartet /$rRussell Greenberg --$tThe vibraphone in the music of John Zorn : an observation on the evolution /$rSae Hashimoto --$tDeep river ... but how deep? : a pianist greets his piano /$rDavid Holzman --$t"Venit illuminato" : a process notebook /$rAaron Jay Kernis --$tThoughts on compositional strategies /$rIngrid Laubrock --$tA means of production : showing up for the recording session and delivering the magic take /$rBrandon Lopez --$tA mentor /$rBrian Marsella --$tMusic and ... football /$rChristian McBride --$tWhere I'm at /$rBill Nace --$tShapes : a memoir /$rMiles Okazaki --$tInfluences /$rChris Potter --$tTomeka Reid interviews Diedre Murray /$rTomeka Reid --$tThe flexible role of the bass : observations on the instrument's use in composed and iimprovised contexts /$rJorge Roeder --$tUnlimited musings on connection, consciousness, inspiration, and purpose /$rDan Rosenboom --$tArt imitating life /$rJoel Ross --$tLockwood's piano /$rCory Smythe --$tStatement on technology and the future of music /$rRand Steiger --$tEngineering new music /$rRyan Streber.
650 0 $aMusicians as authors.
650 0 $aMusic$y20th century$xHistory and criticism.
650 0 $aMusic$y21st century$xHistory and criticism.
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
650 7 $aMusicians as authors.$2fast$0(OCoLC)fst01030878
648 7 $a1900-2099$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aZorn, John,$d1953-$eeditor.
830 0 $aArcana (Hips Road) ;$v9.
852 00 $bmus$hML197.2$i.A73 2021g