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245 02 $aA sourcebook on naturalist theatre /$cedited and introduced by Christopher Innes.
260 $aLondon ;$aNew York :$bRoutledge,$c2000.
300 $a1 online resource (ix, 261 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file
504 $aIncludes bibliographical references (pages 249-251) and index.
588 0 $aPrint version record.
505 0 $a1. Introduction -- 2. The context of naturalist theatre : a chronology -- 3. Contemporary theories of naturalism -- 4. Henrik Ibsen : 1828-1906 -- 5. Anton Chekhov : 1860-1904 -- 6. Bernard Shaw : 1856-1950.
520 $aThis work aims to provide primary sources which document one of the key movements in modern theatre. It uses three writers to exemplify the movement, and six plays in particular, from Henrik Ibsen, Anton Chekhov, and George Bernard Shaw.
520 $bA Sourcebook on Naturalist Theatre provides essential primary sources which document one of the key movements in modern theatre. Christopher Innes has selected three writers to exemplify the movement, and six plays in particular: * Henrik Ibsen - A Dolls House and Hedda Gabler * Anton Chekhov - The Seagull and The Cherry Orchard * George Bernard Shaw - Mrs Warren's Profession and Heartbreak House. Innes' introduction provides an overview of naturalist theatre. Key themes include: the representation of women, significant contemporary issues and the links between theory, play writing and stage practice. The primary sources explore many aspects of naturalism, giving information on: * the playwrights' intentions when writing plays * contemporary reviews * literary criticism * political and social background * production notes from early performances of the plays. A Sourcebook on Naturalist Theatre provides essential primary sources which document one of the key movements in modern theatre. Christopher Innes has selected three writers to exemplify the movement, and six plays in particular: * Henrik Ibsen - A Dolls House and Hedda Gabler * Anton Chekhov - The Seagull and The Cherry Orchard * George Bernard Shaw - Mrs Warren's Profession and Heartbreak House. Innes' introduction provides an overview of naturalist theatre. Key themes include: the representation of women, significant contemporary issues and the links between theory, play writing and stage practice. The primary sources explore many aspects of naturalism, giving information on: * the playwrights' intentions when writing plays * contemporary reviews * literary criticism * political and social background * production notes from early performances of the plays.
600 10 $aIbsen, Henrik,$d1828-1906$vSources.
600 10 $aChekhov, Anton Pavlovich,$d1860-1904$vSources.
600 10 $aShaw, Bernard,$d1856-1950$vSources.
600 16 $aIbsen, Henrik,$d1828-1906$xSources.
600 16 $aChekhov, Anton Pavlovich,$d1860-1904$xSources.
600 16 $aShaw, Bernard,$d1856-1950$xSources.
600 17 $aChekhov, Anton Pavlovich,$d1860-1904$2fast$0(OCoLC)fst00045578
600 17 $aIbsen, Henrik,$d1828-1906$2fast$0(OCoLC)fst00038164
600 17 $aShaw, Bernard,$d1856-1950$2fast$0(OCoLC)fst00030129
650 0 $aDrama$y19th century$xHistory and criticism.
650 0 $aNaturalism in literature.
650 6 $aThéâtre (Genre littéraire)$y19e siècle$xHistoire et critique.
650 6 $aNaturalisme dans la littérature.
650 7 $aTRAVEL$xSpecial Interest$xLiterary.$2bisacsh
650 7 $aLITERARY CRITICISM$xGeneral.$2bisacsh
650 7 $aDrama.$2fast$0(OCoLC)fst00897468
650 7 $aNaturalism in literature.$2fast$0(OCoLC)fst01034541
648 7 $a1800-1899$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aSources.$2fast$0(OCoLC)fst01423900
700 1 $aInnes, C. D.
776 08 $iPrint version:$tSourcebook on naturalist theatre.$dLondon ; New York : Routledge, 2000$z0415152283$w(DLC) 99039133$w(OCoLC)42002567
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15062746$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS