| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:91964887:5493 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:91964887:5493?format=raw |
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001 15083583
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008 120207s2012 enkag obk 001 0 eng d
010 $z 2011026564
035 $a(OCoLC)ocn775487472
035 $a(NNC)15083583
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037 $a9781317052654$bIngram Content Group
050 4 $aMT146$b.M66 2012eb
072 7 $aMUS$x037000$2bisacsh
072 7 $aAVA$2bicssc
082 04 $a782.42164/117$223
049 $aZCUA
100 1 $aMoore, Allan F.
245 10 $aSong means :$banalysing and interpreting recorded popular song /$cAllan F. Moore.
260 $aFarnham, Surrey, England ;$aBurlington, VT :$bAshgate,$c©2012.
300 $a1 online resource (xvi, 395 pages) :$billustrations, music
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aAshgate popular and folk music series
504 $aIncludes bibliographical references (pages 337-350), discography (p. 351-383) , and indexes.
588 0 $aPrint version record.
520 $aAllan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but inter-dependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, lyrics. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (in the most part, within psychology and philosophy) but still deeply relevant to the experience of song.
505 0 $aMethodology -- Shape -- Form -- Delivery -- Style -- Friction -- Persona -- Reference -- Belonging -- Syntheses -- Questions.
546 $aEnglish.
650 0 $aPopular music$xAnalysis, appreciation.
650 0 $aPopular music$xHistory and criticism.
650 0 $aSongs$xAnalysis, appreciation.
650 0 $aPopular music$xPhilosophy and aesthetics.
650 0 $aSound recordings in musicology.
650 6 $aMusique populaire$xHistoire et critique.
650 6 $aChansons$xAnalyse et appréciation.
650 6 $aMusique populaire$xPhilosophie et esthétique.
650 6 $aEnregistrements sonores en musicologie.
650 7 $aMUSIC$xPrinted Music$xGeneral.$2bisacsh
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aPopular music$xAnalysis, appreciation.$2fast$0(OCoLC)fst01071424
650 7 $aPopular music$xPhilosophy and aesthetics.$2fast$0(OCoLC)fst01752057
650 7 $aSongs$xAnalysis, appreciation.$2fast$0(OCoLC)fst01126122
650 7 $aSound recordings in musicology.$2fast$0(OCoLC)fst01127069
650 7 $aÄsthetik$2gnd
650 7 $aPopsong$2gnd
650 7 $aLjudupptagningar.$2sao
650 7 $aMusikvetenskap.$2sao
650 7 $aPopulärmusik$xanalys.$2sao
650 7 $aPopulärmusik$xhistoria.$2sao
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aMoore, Allan F.$tSong means.$dFarnham, Surrey, England ; Burlington, VT : Ashgate, ©2012$z9781409428640$w(DLC) 2011026564$w(OCoLC)734002400
830 0 $aAshgate popular and folk music series.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15083583$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS