MARC Record from marc_columbia

LEADER: 04829cam a2200841Ia 4500
001 15083510
005 20220627125752.0
006 m o d
007 cr cnu|||unuuu
008 120123s2011 nyua ob 001 0 eng d
010 $z 2011004185
035 $a(OCoLC)ocn773564615
035 $a(NNC)15083510
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035 $a(OCoLC)773564615$z(OCoLC)775420449$z(OCoLC)778314833$z(OCoLC)817056925$z(OCoLC)824106973$z(OCoLC)904123613$z(OCoLC)960996488$z(OCoLC)965422892$z(OCoLC)1086565019$z(OCoLC)1135516954$z(OCoLC)1135835095$z(OCoLC)1149462023$z(OCoLC)1152829009$z(OCoLC)1228582429
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050 4 $aPN1995.9.H6$bM43 2011eb
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072 7 $aJFD$2bicssc
082 04 $a791.43/61640896073$a791.4361640973
049 $aZCUA
100 1 $aMeans Coleman, Robin R.,$d1969-
245 10 $aHorror noire :$bblacks in American horror films from the 1890s to present /$cRobin R. Means Coleman.
260 $aNew York :$bRoutledge,$c2011.
300 $a1 online resource (xxii, 272 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
504 $aIncludes bibliographical references (pages 244-258) and index.
520 $aFrom King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets.
505 0 $aIntroduction : studying blacks and horror films -- The birth of the black boogeyman: pre-1930s -- Jungle fever: a horror romance: 1930s -- Horrifying goons and minstrel coons: 1940s -- Black invisibility, white science, and a night with Ben: 1950s-1960s -- Scream, whitey, scream: retribution, enduring women and carnality: 1970s -- We always die first: invisibility, racial red-lining, and self-sacrifice: 1980s -- Black is back! retribution and the urban terrain: 1990s -- Conclusion: catching some zzzzz's: blackz and horror in the 21st century.
588 0 $aPrint version record.
650 0 $aHorror films$zUnited States$xHistory and criticism.
650 0 $aAfrican Americans in motion pictures.
650 0 $aRace in motion pictures.
650 6 $aFilms d'horreur$zÉtats-Unis$xHistoire et critique.
650 6 $aNoirs américains au cinéma.
650 6 $aRace au cinéma.
650 7 $aART$xFilm & Video.$2bisacsh
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aAfrican Americans in motion pictures.$2fast$0(OCoLC)fst00799733
650 7 $aHorror films.$2fast$0(OCoLC)fst00960370
650 7 $aRace in motion pictures.$2fast$0(OCoLC)fst01086507
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aSchwarze$gMotiv$2gnd
650 7 $aEthnische Beziehungen$gMotiv$2gnd
650 7 $aHorrorfilm.$2idszbz
651 7 $aUSA.$2idszbz
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aMeans Coleman, Robin R., 1969-$tHorror noire.$dNew York : Routledge, 2011$z9780415880190$w(DLC) 2011004185$w(OCoLC)548660379
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15083510$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS