MARC Record from marc_columbia

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001 15080234
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008 100224s2010 vtu ob 001 0 eng d
010 $z 2010008301
035 $a(OCoLC)ocn663973447
035 $a(NNC)15080234
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020 $a9780754668053$q(Cloth)
020 $a0754668053$q(Cloth)
020 $a9781409409328$q(ebook ;$qalk. paper)
020 $a1409409325$q(ebook ;$qalk. paper)
024 8 $a9786612701412
035 $a(OCoLC)663973447$z(OCoLC)694146822$z(OCoLC)712992392$z(OCoLC)748362532$z(OCoLC)758541562$z(OCoLC)961529974$z(OCoLC)962630108$z(OCoLC)988468338$z(OCoLC)1045520067$z(OCoLC)1058303032
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049 $aZCUA
100 1 $aBennett, Andy,$d1963-
245 10 $aBritpop and the English music tradition /$cAndy Bennett and Jon Stratton.
260 $aBurlington, VT :$bAshgate,$c©2010.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
490 0 $aAshgate popular and folk music series
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 00 $aMachine generated contents note:$g1.$tMusic Hall and the Commercialization of English Popular Music /$rJon Stratton /$rAndy Bennett --$g2.$tSkiffle, Variety and Englishness /$rDave Laing --$g3.$tEnglishing Popular Music in the 1960's /$rJon Stratton --$g4.$tTrainspotting: The Gendered History of Britpop /$rJon Stratton --$g5.$tMissing Links: Britpop Traces, 1970-1980 /$rSheila Whiteley --$g6.$tLabouring the Point? The Politics of Britpop in 'New Britain' /$rAndy Bennett --$g7.$tBritpop Sound /$rRupa Hug --$g8.$tBritpop or Eng-pop? /$rDerek B. Scott --$g9.$tUnsettling Differences: Music and Laddism in Britpop /$rJ. Mark Percival --$g10.$tDevopop: Pop-Englishness and Post-Britpop Guitar Bands /$rStan Hawkins --$g11.$tWorries in the Dance: Post-Millennial Grooves and Sub-Bass Culture /$rIan Collinson.
520 $aBritpop was the UK's headline musical phenomena during the 1990s û just at the point when devolution suggested that the UK may be breaking down. This edited collection doesn't merely describe the sights, sounds and aesthetics of Britpop, it also explores and explains its political, economic and cultural contexts. The fact that it does this with a critical edge means that it is not only essential reading for popular music students, but also a significant contribution to our understanding of a peculiarly important moment in recent musical history.-Dr Stuart Borthwick, Principal Lecturer in Popular Music Studies, Liverpool John Moores University, UK.
520 $aBritpop and the English Music Tradition is the first study devoted exclusively to the Britpop phenomenon and its contexts. The genre of Britpop, with its assertion of Englishness, evolved at the same time that devolution was striking deep into the hegemonic claims of English culture to represent Britain. It is usually argued that Britpop, with its strident declarations of Englishness, was a response to the dominance of grunge. The contributors in this volume take a different point of view: that Britpop celebrated Englishness at a time when British culture, with its English hegemonic core, was being challenged and dismantled. It is now timely to look back on Britpop as a cultural phenomenon of the 1990s that can be set into the political context of its time, and into the cultural context of the last fifty years û a time of fundamental revision of what it means to be British and English.
520 $aThe book examines issues such as the historical antecedents of Britpop, the subjectivities governing the performative conventions of Britpop, the cultural context within which Britpop unfolded, and its influence on the post-Britpop music scene in the UK. While Britpop is central to the volume, discussion of this phenomenon is used as an opportunity to examine the particularities of English popular music since the turn of the twentieth century.
520 $aAndy Bennett is Professor of Cultural Sociology in the School of Humanities at Griffith University, Australia.
520 $aJon Stratton is Professor of Cultural Studies in the School of Media, Culture and Creative Arts at Curtin University of Technology, Australia. --Book Jacket.
650 0 $aPopular music$zGreat Britain$xHistory and criticism.
650 6 $aMusique populaire$zGrande-Bretagne$xHistoire et critique.
650 7 $aMUSIC$xGenres & Styles$xPop Vocal.$2bisacsh
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aStratton, Jon.
776 08 $iPrint version:$z9786612701412$w(DLC) 2010008301
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15080234$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS