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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:55586962:6575
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:55586962:6575?format=raw

LEADER: 06575cam a2200829Ma 4500
001 15073916
005 20220618231304.0
006 m o d
007 cr zn|||||||||
008 950328s1996 enka ob 001 0 eng d
010 $z 95014477
035 $a(OCoLC)ocn252996411
035 $a(NNC)15073916
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020 $a0203991532$q(electronic bk.)
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020 $z0415115906$q(PB ;$qalk. paper)
035 $a(OCoLC)252996411$z(OCoLC)61270408$z(OCoLC)275183646$z(OCoLC)456025896$z(OCoLC)519851045$z(OCoLC)648160159$z(OCoLC)650080108$z(OCoLC)756868589$z(OCoLC)960197865$z(OCoLC)968297447$z(OCoLC)990596223$z(OCoLC)994785447$z(OCoLC)1043884837$z(OCoLC)1044157774$z(OCoLC)1044628083$z(OCoLC)1044653649$z(OCoLC)1048121154$z(OCoLC)1056363014$z(OCoLC)1056428169$z(OCoLC)1059529391$z(OCoLC)1059787004$z(OCoLC)1060844901$z(OCoLC)1078099117$z(OCoLC)1078869234$z(OCoLC)1087363870$z(OCoLC)1087369252$z(OCoLC)1087452482$z(OCoLC)1096477010$z(OCoLC)1097261331$z(OCoLC)1097299774$z(OCoLC)1099558260$z(OCoLC)1107344962$z(OCoLC)1113126448$z(OCoLC)1125447992$z(OCoLC)1125680891$z(OCoLC)1131943623$z(OCoLC)1159640200$z(OCoLC)1167263740$z(OCoLC)1224844287$z(OCoLC)1286902370
037 $a242218$bProquest Ebook Central
050 4 $aN4395$b.T55 1996eb
055 13 $aN4395$b.T55 1996eb
072 7 $aART$x006010$2bisacsh
080 $a7:061.4 THI
082 04 $a707/.4$220
084 $a20.13$2bcl
084 $aLB 34000$2rvk
084 $aLH 39930$2rvk
084 $aAK 86500$2rvk
049 $aZCUA
245 00 $aThinking about exhibitions /$cedited by Reesa Greenberg, Bruce W. Ferguson, and Sandy Nairne.
260 $aLondon ;$aNew York :$bRoutledge,$c1996.
300 $a1 online resource (xxii, 487 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
504 $aIncludes bibliographical references (pages 465-473) and index.
588 0 $aPrint version record.
505 0 $aThe museum and the 'ahistorical' exhibition: the latest gimmick by the arbiters of taste, or an important cultural phenomenon? / Debora J. Meijers -- Brokering identities: art curators and the politics of cultural representation / Mari Carmen Ramírez -- Large exhibitions: a sketch of a typology / Jean-Marc Poinsot -- For example, documenta, or, how is art history produced? / Walter Grasskamp -- The exhibitionary complex / Tony Bennett -- The museum flat / Johanne Lamoureux -- Naming names: the art of memory and the NAMES Project AIDS Quilt / Peter S. Hawkins -- Les immatériaux / Jean-François Lyotard -- Exhibition rhetorics: material speech and utter sense / Bruce W. Ferguson -- Creating spaces / Gerald McMaster -- The discourse of the museum / Mieke Bal.
505 0 $aThe great curatorial dim-out / Lawrence Alloway -- From museum curator to exhibition auteur: inventing a singular position / Nathalie Heinich and Michael Pollak -- Constructing the spectacle of culture in museums / Ivan Karp and Fred Wilson -- The show you love to hate: a psychology of the mega-exhibition / John Miller -- Free fall -- freeze frame: Africa, exhibitions, artists / Clémentine Deliss -- The one-picture gallery / Valery Petrovich Sazonov -- Dissenting spaces / Judith Barry -- Function of architecture: notes on work in connection with the places where it is installed taken between 1967 and 1975, some of which are specially summarized here / Daniel Buren.
505 0 $aThe gallery as a gesture / Brian O'Doherty -- Postmodernism's museum without walls / Rosalind E. Krauss -- The exhibited redistributed: a case for reassessing space / Reesa Greenberg -- A visual machine: art installation and its modern archetypes / Germano Celant -- The institutionalization of dissent / Sandy Nairne -- Modernism, nationalism and beyond: a critical history of exhibitions of First Nations art / Diana Nemiroff -- In and out of place / Andrea Fraser -- What's important about the history of modern art exhibitions? / Martha Ward.
520 $aAn anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.
546 $aEnglish.
650 0 $aArt$xExhibition techniques.
650 0 $aArt exhibition audiences.
651 6 $aArt$xTechniques d'exposition.
651 6 $aArt$xExpositions$xPublics.
650 6 $aArt$xTechniques d'exposition.
650 6 $aArt$xExpositions$xPublics.
650 7 $aspectators (event observers)$2aat
650 7 $aslide viewers (hand held devices)$2aat
650 7 $aviewers (observers)$2aat
650 7 $aART$xCollections, Catalogs, Exhibitions$xGroup Shows.$2bisacsh
650 7 $aArt exhibition audiences.$2fast$0(OCoLC)fst00815529
650 7 $aArt$xExhibition techniques.$2fast$0(OCoLC)fst00815237
653 0 $aVisual arts$aExhibitions
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aGreenberg, Reesa.
700 1 $aFerguson, Bruce W.
700 1 $aNairne, Sandy.
776 08 $iPrint version:$tThinking about exhibitions.$dLondon ; New York : Routledge, 1996$w(DLC) 95014477
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15073916$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS