It looks like you're offline.
Open Library logo
additional options menu

MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:478390188:3138
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:478390188:3138?format=raw

LEADER: 03138cam a2200457Ii 4500
001 15491861
005 20210531150215.0
008 201107s2019 au af c 000 0dger d
035 $a(OCoLC)on1204200665
040 $aOHX$beng$erda$cOHX$dJPG$dOCLCO$dJPG$dOCLCF
020 $a9783990201985$q(paperback)
020 $a3990201980
024 3 $a9783990201985
035 $a(OCoLC)1204200665
041 0 $ager$aeng
050 4 $aNC245.M67$bA4 2019
072 7 $aNC$2lcco
245 00 $aKlaus Mosettig :$bthe David plates /$cherausgegeben von Sabine Haag, Jasper Sharp & Gudrun Swoboda ; Autor der Katalogtexte, João Ribas ; Biografie von Rolf Wienkötter.
246 30 $aDavid plates
264 1 $a[Wien] :$bKunsthistorisches Museum Wien,$c2019.
300 $a70 pages, 20 unnumbered pages of plates :$billustrations (some color) ;$c28 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $aTogether with the special exhibition Caravaggio & Bernini, the Kunsthistorisches Museum is showing a new series of works by the Austrian artist Klaus Mosettig in the Bassano Hall. His series The David Plates is based on X-rays of Caravaggio?s painting David with the Head of Goliath from the collection of the Kunsthistorisches Museum. The fifteen large-scale drawings were created by artist Klaus Mosettig in his Vienna studio over a period of almost two years, from the autumn of 2017 through to the summer of 2019.00The process that Mosettig used to make the drawings is every bit as mechanical and systematic as that which created the X-rays in the first place. The plates were first converted into medium format slides and beamed onto large sheets of paper. Working in strict positional sequence, Mosettig moved across each sheet from top to bottom, left to right, transferring the information that he received in the form of projected light into graphite strokes of varying intensities. Each stroke was applied in the same diagonal orientation, with Mosettig careful to minimize any sense of emphasis or personal interpretation, recording each detail as he saw it.00Exhibition: Kunsthistorisches Museum Wien, Austria (15.10.2019 - 19.01.2020).
546 $aParallel texts in German and English.
585 $aOn the occasion of an exhibition held at Kunsthistorisches Museum Wien, October 15, 2019 - January 19, 2020.
600 10 $aMosettig, Klaus,$d1975-$vExhibitions.
600 17 $aMosettig, Klaus,$d1975-$2fast$0(OCoLC)fst01674281
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 12 $aMosettig, Klaus,$d1975-$tDrawings.$kSelections.
700 1 $aHaag, Sabine,$eeditor.
700 1 $aSharp, Jasper,$d1975-$eeditor.
700 1 $aSwoboda, Gudrun,$eeditor.
700 1 $aRibas, João,$ewriter of supplementary textual content.
700 1 $aWienkötter, Rolf,$ewriter of supplementary textual content.
710 2 $aKunsthistorisches Museum Wien,$ehost institution.
730 02 $aKlaus Mosettig.
730 02 $aKlaus Mosettig.$lEnglish.
852 00 $boff,fax$hNC245.M67$iA4 2019g