| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:39616761:4037 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:39616761:4037?format=raw |
LEADER: 04037cam a2200757 a 4500
001 15069814
005 20220703231530.0
006 m o d
007 cr cnu---unuuu
008 070604s2007 nyua ob 001 0 eng d
035 $a(OCoLC)ocn137335297
035 $a(NNC)15069814
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020 $a9780203940990$q(electronic bk.)
020 $a0203940997$q(electronic bk.)
020 $a9781135985011$q(e-book ;$qMobi)
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020 $a9786611081461$q(electronic bk.)
020 $a6611081461
020 $a0415512751
020 $a9780415512756
020 $z9780415770897$q(hardback ;$qalk. paper)
020 $z0415770890$q(hardback ;$qalk. paper)
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024 7 $a10.4324/9780203940990$2doi
035 $a(OCoLC)137335297$z(OCoLC)156808897$z(OCoLC)243615883$z(OCoLC)608429031$z(OCoLC)648205597$z(OCoLC)1077851343$z(OCoLC)1082189089$z(OCoLC)1086562683$z(OCoLC)1100453398$z(OCoLC)1155957110$z(OCoLC)1179424459
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050 4 $aPN1993.5.I85$bG46 2007eb
072 7 $aPER$x004040$2bisacsh
082 04 $a791.4309415$222
049 $aZCUA
245 00 $aGenre and cinema :$bIreland and transnationalism /$cedited by Brian McIlroy.
260 $aNew York :$bRoutledge,$c©2007.
300 $a1 online resource (xiv, 284 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge studies in cultural history ;$v4
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 0 $aFront cover; Contents; Preface; Illustrations; Acknowledgments; Introduction; Part I: Genre, Ireland, and theory; Chapter 1. Genre and nation; Chapter 2. Discovering and uncovering genre in Irish cinema; Chapter 3. Playing cops and robbers: Recent Irish cinema and genre performance; Part II: Genre, Ireland, and Hollywood; Chapter 4. Is californication a mortal sin?: The influence of classic Hollywood cinema on indigenous Irish film; Chapter 5. Hollywood genre formulas as contact zones: The case of Jum Sheridan's The Boxer.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
650 0 $aMotion pictures$zIreland.
650 0 $aFilm genres$zIreland.
650 6 $aCinéma$zIrlande.
650 6 $aGenres cinématographiques$zIrlande.
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aFilm genres.$2fast$0(OCoLC)fst00924269
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aIreland.$2fast$0(OCoLC)fst01205427
655 4 $aElectronic books.
700 1 $aMcIlroy, Brian.
776 08 $iPrint version:$tGenre and cinema.$dNew York : Routledge, ©2007$z9780415770897$z0415770890$w(DLC) 2006038388$w(OCoLC)76481503
830 0 $aRoutledge studies in cultural history ;$v4.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15069814$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS