MARC Record from marc_columbia

LEADER: 04486cam a2200685Ma 4500
001 15305888
005 20210226100513.0
006 m o d
007 cr cn|||||||||
008 010521s1998 nhu ob 001 0 eng d
010 $a 97049996
035 $a(OCoLC)ocm48138837
035 $a(NNC)15305888
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020 $a0585371024$q(electronic bk.)
020 $a9780585371023$q(electronic bk.)
020 $a0819522562$q(alk. paper)
020 $a9780819522566$q(alk. paper)
020 $a0819522570$q(pbk. ;$qalk. paper)
020 $a9780819522573$q(pbk. ;$qalk. paper)
020 $z9780819572240
035 $a(OCoLC)48138837$z(OCoLC)532293975$z(OCoLC)779150385$z(OCoLC)961695184$z(OCoLC)962573326$z(OCoLC)970750329$z(OCoLC)995526106$z(OCoLC)999589125$z(OCoLC)1002176804$z(OCoLC)1053032813$z(OCoLC)1055349432$z(OCoLC)1058763231$z(OCoLC)1066399436$z(OCoLC)1077793525$z(OCoLC)1081295809$z(OCoLC)1135382058$z(OCoLC)1228609915
050 4 $aML3845$b.S628 1998eb
072 7 $aMUS$x001000$2bisacsh
082 04 $a781/.1$221
086 0 $aPFC3000
049 $aZCUA
100 1 $aSmall, Christopher,$d1927-2011.
245 10 $aMusicking :$bthe meanings of performing and listening /$cChristopher Small.
260 $aHanover :$bUniversity Press of New England,$c©1998.
300 $a1 online resource (230 pages).
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aMusic/culture
500 $a"Wesleyan University Press."
504 $aIncludes bibliographical references (pages 223-225) and index.
520 1 $aExtending the inquiry of his early groundbreaking books, Christopher Small strikes at the heart of traditional studies of Western music by asserting that music is not a thing, but rather an activity. This new work outlines a theory of what Small terms "musicking," a verb that encompasses all musical activity from composing to performing to listening to a Walkman to singing in the shower. Using Gregory Bateson's philosophy of mind and a Geertzian thick description of a typical concert in a typical symphony hall, Small demonstrates how musicking forms a ritual through which all the participants explore and celebrate the relationships that constitute their social identity. This trip through the concert hall will have readers rethinking every aspect of their musical worlds.
505 0 $aA place for hearing -- A thoroughly contemporary affair -- Sharing with strangers -- A separate world -- A humble bow -- Summoning up the dead composer -- Score and parts -- Harmony, heavenly harmony -- An art of the theater -- A drama of relationships -- A vision of order -- What's really going on here? -- A solitary flute player.
588 0 $aPrint version record.
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aMusic$xPerformance$xPsychological aspects.
650 6 $aMusique$xPhilosophie et esthétique.
650 6 $aMusique$xExécution$xAspect psychologique.
650 6 $aMusique$xAppréciation$xAspect psychologique.
650 7 $aMUSIC$xInstruction & Study$xAppreciation.$2bisacsh
650 7 $aMusic$xPerformance$xPsychological aspects.$2fast$0(OCoLC)fst01030403
650 7 $aMusic$xPhilosophy and aesthetics.$2fast$0(OCoLC)fst01030408
650 7 $aÉcoute musicale.$2rasuqam
650 7 $aEsthétique musicale.$2rasuqam
650 7 $aInterprétation musicale.$2rasuqam
650 7 $aMusique.$2rasuqam
650 7 $aAspect psychologique.$2rasuqam
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aSmall, Christopher, 1927-$tMusicking.$dHanover : University Press of New England, ©1998$z0819522562$w(DLC) 97049996$w(OCoLC)37975693
830 0 $aMusic/culture.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15305888$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS