MARC Record from marc_columbia

LEADER: 03033cam a2200505Ii 4500
001 15265143
005 20210210104121.0
008 210104t20192019bl ac b 000 0 por d
035 $a(OCoLC)on1193057575
040 $aH7K$beng$erda$cH7K$dOCLCO$dOCLCF$dJPG$dOCLCO$dOCL
020 $a9788531417443$q(v. 3)
020 $a8531417449
020 $a9788531417436$q(v. 2)
020 $a8531417430
020 $a9788531417429$q(v. 1)
020 $a8531417422
020 $a9788531417412$q(set)
020 $a8531417414
035 $a(OCoLC)1193057575
050 4 $aN7630$b.A53 2019
049 $aZCUA
100 1 $aAnchieta, Isabelle,$eauthor.
245 10 $aImagens da mulher no ocidente moderno /$cIsabelle Anchieta.
264 1 $aSão Paulo, Brasil :$bEDUSP,$c[2019]
264 4 $c©2019
300 $a3 volumes :$billustrations (some color), portraits ;$c26 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
505 8 $avol. 1. Bruxas e tupinambás canibais -- vol. 2. Maria e Maria Madalena -- vol. 3. Stars de Hollywood.
520 $aThe work Images of Women in the Modern West combines the sociological analysis of the forms of representation of women in Western societies with the apprehension of feelings through details of pictorial language. This first volume, "Witches and Tupinambás Canibais", accompanies the diabolization of the image of women in the 15th and 16th centuries through witches and Tupinambás Indians, making known the dialogue between these images that tormented and bewitched men in the transition from the Middle Ages to the Modern Age, and its transformation in that encounter. Isabelle Anchieta proposes a style of reflection that explores the multiple possibilities of interpreting images from a sociological perspective, without disregarding artistic particularities or the singularities of the act of their creation. The trilogy was based on the author's doctoral thesis, defended in 2014 at the Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH) of the Universidade de São Paulo (USP), which required eight years of research. Almost all the images in the books were analyzed personally by the author, which required five trips abroad, with an average duration of six months each, "to better understand the relationship of the images with the space in which they were produced was of equal importance.".
650 0 $aWomen in art.
650 0 $aGender identity.
650 0 $aSex role.
650 0 $aWomen$xHistory$yModern period, 1600-
650 7 $aWomen in art.$2fast$0(OCoLC)fst01177826
650 7 $aGender identity$2fast$0(OCoLC)fst00939593
650 7 $aSex role$2fast$0(OCoLC)fst01114598
650 7 $aWomen$xModern period$2fast$0(OCoLC)fst01907281
648 7 $aSince 1600$2fast
655 7 $aHistory$2fast$0(OCoLC)fst01411628
852 01 $bglx$hN7630$i.A53 2019g
866 41 $80$av.1