MARC Record from marc_columbia

LEADER: 05520cam a2200625 i 4500
001 15233460
005 20221015225412.0
006 m o d
007 cr |||||||||||
008 200601t20202020inua ob 001 0 eng
010 $a 2020021770
035 $a(OCoLC)on1157565196
035 $a(NNC)15233460
040 $aDLC$beng$erda$epn$cDLC$dOCLCO$dOCLCF$dYDX$dEBLCP$dN$T$dYDX$dJSTOR$dTFW$dOSU$dSFB$dOCLCO$dDLC$dOCL$dOCLCQ
020 $a9780253052049$q(electronic book)
020 $a0253052041$q(electronic book)
020 $a9780253052056$q(epub)
020 $a025305205X
020 $z9780253052025$q(hardcover)
020 $z0253052025$q(hardcover)
020 $z9780253052032$q(paperback)
020 $z0253052033$q(paperback)
035 $a(OCoLC)1157565196
037 $a22573/ctv1b6pbfc$bJSTOR
042 $apcc
050 04 $aPN1995.8$b.G56 2020
072 7 $aPER$x004030$2bisacsh
072 7 $aPER$x004060$2bisacsh
072 7 $aPER$x004010$2bisacsh
082 04 $a791.43/3$223
049 $aZCUA
245 00 $aGlobal perspectives on amateur film histories and cultures /$cedited by Masha Salazkina and Enrique Fibla-Gutiérrez.
264 1 $aBloomington, Indiana :$bIndiana University Press,$c[2020]
264 4 $c©2020
300 $a1 online resource (ix, 336 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 00 $tUnderstanding (Amateur) Cinema: Epistemology and Technology /$rBenoît Turquety --$tCrossing the Amateur Line: The Lesson of Even--$tAs You and I /$rJames Rosenow --$t"I Give You a Toast to the Pioneers!" The Movie Maker Ten Best Video Competition 1982-1983 /$rGraeme R. Spurr --$tFrom Insiders to Outsiders: Tracing Amateurism in Chinese Independent Documentary of the 1990s and the 2000s /$rMargherita Viviani --$tSeeking Advice: A Political Economy of Israeli Commemorative Home Videos /$rLaliv Melamed --$tAmateur Film in the Factory: Forms and Functions of Amateur Cinema in Corporate Media Culture /$rYvonne Zimmermann --$tThe Ambitions of Amateur Film in Vichy France /$rJulie Guillaumot --$tOn the Amateur Origins of Fernando Birri's Documentary School of Santa Fe /$rMariano Mestman and Christopher Moore --$tThe Wind from the South: Experiences of Substandard Filmmaking in Galicia in the 1970s /$rPablo La Parra-Pérez --$tSuper 8 in Mexico /$rJesse Lerner --$tThe Videogiornale: Social Movements and Amateur Media Technologies in Bologna Between the Late 1980s and the Early 1990s /$rDiego Cavallotti --$t"A Vital Human Place" for the Counterculture: Fifth Estate and Amateur Film Culture in Detroit, 1965-1967 /$rJoseph DeLeon --$tIngvars Leitis's Subversive Ethnographic Documentaries, 1975-1989: Cover Stories and National Representation in Soviet Latvia /$rInese Strupule --$tWorldly Matters: Distributed Histories of Tunisian Amateur Cinema and the Screening of Nontheatrical Film /$rSamhita Sunya --$tEarly International Super 8 Film Festivals: The Case of Caracas 1976-1980 /$rIsabel Arredondo --$tA Gift to Mother: "The Most Universally Appealing Kind of Film That Any Amateur Can Hope to Make" /$rMaria Vinogradova --$tPostcards from Yiddishland: Amateur Filmmaking and Vernacular Yiddish Culture /$rRachel Webb Jekanowski.
520 $a"For too long, the field of amateur cinema has focused on North America and Europe. In Global Perspectives on Amateur Film Histories and Cultures, however, editors Masha Salazkina and Enrique Fibla-Gutiérrez fill the literature gap by extending that focus and increasing inclusivity. Through carefully curated essays, Salazkina and Fibla-Gutiérrez bring wider meaning and significance to the discipline through their study of alternative cinema in new territories, fueled by different historical and political circumstances, innovative technologies, and ambitious practitioners. The essays in this volume work to realize the radical societal democratization that shows up in amateur cinema around the world. In particular, diverse contributors highlight the significance of amateur filmmaking, the exhibition of amateur films, the uses and availability of film technologies, and the inventive and creative approaches of filmmakers and advocates of amateur film. Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries"--$cProvided by publisher.
588 0 $aOnline resource; title from digital title page (viewed on December 16, 2020).
650 0 $aAmateur films$xHistory and criticism.
650 6 $aFilms d'amateurs$xHistoire et critique.
650 6 $aLivres numériques.
650 7 $ae-books.$2aat
650 7 $aPERFORMING ARTS$xFilm & Video$xHistory & Criticism.$2bisacsh
650 7 $aElectronic books.$2fast$0(OCoLC)fst00906854
650 7 $aAmateur films$2fast$0(OCoLC)fst00806665
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aSalazkina, Masha,$eeditor.
700 1 $aFibla-Gutiérrez, Enrique,$eeditor.
776 08 $iPrint version:$tGlobal perspectives on amateur film histories and cultures.$dBloomington, Indiana : Indiana University Press, [2020]$z9780253052025$w(DLC) 2020021769$w(OCoLC)1138595568
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15233460$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS