MARC Record from marc_columbia

LEADER: 03915cam a2200577 i 4500
001 15182869
005 20201124111656.0
008 170420s2016 ii a b 001 0 eng c
010 $a 2016498573
035 $a(OCoLC)ocn955313495
040 $aERASA$beng$erda$cDLC$dERASA$dBDX$dLOA$dNLE$dCDX$dOCLCF$dYDX$dSTF$dJHE$dDKAGE$dBTCTA$dHTM$dINU$dOCLCO$dOCL$dZWZ$dIUL$dOCLCQ$dOCLCA$dUKMGB$dOCLCQ$dOCLCO$dOCLCA$dYUS
015 $aGBB6D0573$2bnb
016 7 $a018017056$2Uk
019 $a954429619$a960046082
020 $a9780199466849
020 $a019946684X
035 $a(OCoLC)955313495$z(OCoLC)954429619$z(OCoLC)960046082
042 $alccopycat$apcc
043 $aa-ii---
050 00 $aN7307.B37$bM35 2016
082 04 $a700
049 $aZCUA
100 1 $aMaholay-Jaradi, Priya,$eauthor.
245 10 $aFashioning a national art :$bBaroda's royal collection and art institutions (1875-1924) /$cPriya Maholay-Jaradi.
246 30 $aBaroda's royal collection and art institutions (1875-1924)
250 $aFirst edition.
264 1 $aNew Delhi, India :$bOxford University Press,$c2016.
300 $axlv, 304 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 276-288) and index.
520 8 $aThis book is about how the Baroda Palace Collection came into being under its patron-collector Maharaja Sayajirao Gaekwad III. It throws light on Sayajirao's private collecting practice that shaped Baroda's modern art and craft institutions and industries. Taking rare archival records from 1875 as its point of departure, the work demonstrates how the Maharaja's private collecting practice and its egalitarian ideas both shaped and participated in the institutional, industrial, and commercial realms within Baroda, India, and Euro-America. For the first time, a native prince emerged simultaneously as an exemplar of international collecting, an arbiter of taste and value, and a spokesperson and strategist for a colonized India's national concerns. The book sheds light on numerous elite and subaltern plots: the role of Dewan T.0Madhavarao and other state officials as resource persons and advisors; a significant oil portraitist Tiroovengada Naidu, who preceded Raja Ravi Varma at Baroda; numerous contracts between European and native painters and sculptors; ivory craftsman, Neelakandan Asari; establishment of Baroda's premier polytechnic, Kalabhavan and the Nazarpaga and State Furniture Works; 'star pieces' on the exhibitions' trail such as the Baroda Screen and Baroda Balcony, select luxury goods inspired by Baroda designs and exhaustive loans' inventories for exhibitions.
600 00 $aSayaji Rao Gaekwar$bIII,$cMaharaja of Baroda,$d1863-1939$xArt collections.
610 20 $aBaroda Museum and Picture Gallery (India)$xHistory.
650 0 $aArt$zIndia$xHistory.
650 0 $aArt$xCollectors and collecting$zIndia$zBaroda (Princely State)$xHistory.
650 0 $aArt, Indic$zIndia$zBaroda (Princely State)
650 0 $aArt$zIndia$zBaroda (Princely State)$xHistory.
600 07 $aSayaji Rao Gaekwar$bIII,$cMaharaja of Baroda,$d1863-1939.$2fast$0(OCoLC)fst00253514
610 27 $aBaroda Museum and Picture Gallery (India)$2fast$0(OCoLC)fst00623900
650 7 $aArt, Indic.$2fast$0(OCoLC)fst00816391
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aArt$xCollectors and collecting.$2fast$0(OCoLC)fst00815195
650 7 $aArt$xPrivate collections.$2fast$0(OCoLC)fst00815314
651 7 $aIndia.$2fast$0(OCoLC)fst01210276
651 7 $aIndia$zBaroda (Princely State)$2fast$0(OCoLC)fst01226394
600 07 $aSayaji Rao Gaekwar$bIII$c(Maharaja of Baroda ;$d1863-1939)$2ram
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
852 00 $boff,fax$hN7307.B37$iM35 2016