MARC Record from marc_columbia

LEADER: 05225cam a2200733 i 4500
001 15182436
005 20220604230019.0
006 m o d
007 cr unu||||||||
008 200506s2020 mnua ob 001 0 eng
010 $a 2020020774
035 $a(OCoLC)on1162519096
035 $a(NNC)15182436
040 $aDLC$beng$erda$epn$cDLC$dOCLCO$dOCLCF$dOCLCO$dYDX$dN$T$dEBLCP$dYDX$dJSTOR$dWTU$dOCLCO$dZCU$dCNO$dWAU$dLUN$dORU$dP@U$dOCLCQ$dOCLCO$dOCL$dFAU$dOCLCO
019 $a1238757296
020 $a9781452964423$q(electronic book)
020 $a1452964424$q(electronic book)
020 $a9781452964416$q(electronic book)
020 $a1452964416$q(electronic book)
020 $a1517910048
020 $a9781517910044
020 $z9781517910037$q(hardcover)
020 $z9781517910044$q(paperback)
035 $a(OCoLC)1162519096$z(OCoLC)1238757296
037 $a22573/ctv19bhfrh$bJSTOR
042 $apcc
043 $an-us---
050 00 $aML3479$b.P7 2020
072 7 $aMUS$x020000$2bisacsh
072 7 $aMUS$x025000$2bisacsh
072 7 $aSOC$x008020$2bisacsh
082 00 $a780.89/96073$223
049 $aZCUA
100 1 $aPowell, Elliott H.,$eauthor.
245 10 $aSounds from the other side :$bAfro-South Asian collaborations in black popular music /$cElliott H. Powell.
264 1 $aMinneapolis, MN :$bUniversity of Minnesota Press,$c[2020]
264 4 $c©2020
300 $a1 online resource (192 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bn$2rdamedia
338 $aonline resource$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 00 $tA Desi Love Supreme : John Coltrane, James Baldwin, and the Life Side of Afro-South Asian Music --$tCorner Politics : The Queer and South Asian Coalitional Black Politics of Miles Davis --$tPunks, Freaks, OutKasts, and ATLiens : The Afro-South Asian Imaginings of Rick James and André 3000 --$tRecovering Addict(ive) : The Afro-South Asian Sexual Politics of Truth Hurts's "Addictive" --$tDo(ing) Something Different : Cross-Cultural Collaboration in the Work of Timbaland and Rajé Shwari.
520 $a"A sixty-year history of Afro-South Asian musical collaborations"--$cProvided by publisher
520 $a"From Beyoncé's South Asian music-inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane's use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott's high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians' South Asian influence since the 1960s. Elliott H. Powell asks, what happens when we consider Black musicians' South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro-South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro-South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians"--Abstract provided by publisher
588 0 $aOnline resource; title from digital title page (viewed on November 18, 2020).
650 0 $aAfrican Americans$xMusic$xHistory and criticism.
650 0 $aPopular music$zUnited States$xSouth Asian influences.
650 0 $aPopular music$zUnited States$xHistory and criticism.
650 6 $aMusique populaire$zÉtats-Unis$xHistoire et critique.
650 7 $aMUSIC$xHistory & Criticism.$2bisacsh
650 7 $aAfrican Americans$xMusic.$2fast$0(OCoLC)fst00799648
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aPopular music$xSouth Asian influences.$2fast$0(OCoLC)fst02020102
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aMusic criticism and reviews.$2fast$0(OCoLC)fst01919942
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aMusic criticism and reviews.$2lcgft
655 7 $aComptes rendus de musique.$2rvmgf
776 08 $iPrint version:$aPowell, Elliott H.$tSounds from the other side.$dMinneapolis : University of Minnesota Press, 2020$z9781517910037$w(DLC) 2020020773
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15182436$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS