MARC Record from marc_columbia

LEADER: 04774cam a2200745 i 4500
001 15156514
005 20220618225806.0
006 m o d
007 cr |||||||||||
008 200615s2020 msu ob 000 0 eng
010 $a 2020010047
035 $a(OCoLC)on1159649019
035 $a(NNC)15156514
040 $aDLC$beng$erda$cDLC$dYDX$dEBLCP$dYDX$dN$T$dJSTOR$dP@U$dYDX$dOCLCF$dMNN$dCOO$dOCLCO
019 $a1191465432
020 $a1496830148$qelectronic book
020 $a9781496830111$qelectronic book
020 $a1496830113$qelectronic book
020 $a9781496830128$qelectronic book
020 $a1496830121$qelectronic book
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020 $a149683013X$qelectronic book
020 $a9781496830142$q($q(Proquest Ebook Central)
020 $z9781496830098$qhardcover
020 $z9781496830104$qpaperback
020 $a1496830105$q(Paper)
020 $a9781496830104
020 $a1496830091$q(Cloth)
020 $a9781496830098
035 $a(OCoLC)1159649019$z(OCoLC)1191465432
037 $a22573/ctv15c3krz$bJSTOR
042 $apcc
043 $aa-ko---
050 04 $aML3502.K6$bA64 2020
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082 00 $a781.63/164095195$223
049 $aZCUA
100 1 $aAnderson, Crystal S.,$eauthor.
245 10 $aSoul in Seoul :$bAfrican American popular music and K-pop /$cCrystal S. Anderson.
264 1 $aJackson :$bUniversity Press of Mississippi,$c[2020]
300 $a1 online resource (xxii, 181 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references.
505 0 $aAcknowledgements -- Introduction -- "Listen to the music": African-American popular music and K-pop -- "A song calling for you": Korean pop groups -- "Soul breeze": Korean R&B groups and soloists -- "Rewriting the résumé": mainstream Korean hip-hop artists -- Conclusion -- Discography -- References -- Index.
520 $a"K-pop reigns as one of the most popular music genres in the world today, a phenomenon that appeals to listeners of all ages and nationalities. In Soul in Seoul: Black Popular Music and K-pop, Crystal Anderson examines the most important and often overlooked aspect of K-pop: the music itself. She demonstrates how contemporary Korean popular music (K-pop) references and incorporates musical and performative elements of African American popular music culture as well as the ways that fans outside of Korea understand these references. K-pop emerged in the 1990s with immediate global aspirations, combining musical elements from Korean and foreign cultures, particularly rhythm and blues genres of black American popular music. Korean solo artists and groups borrow from and cite instrumentation and vocals of R&B genres, especially hip hop. They also enhance the R&B tradition by utilizing Korean musical strategies. These musical citational practices are deemed authentic by global fans, who function as part of K-pop's music press and promotional apparatus. K-pop artists also cite elements of African American performance in Korean music videos. These disrupt stereotyped representations of Asian and African American performers. Through this process K-pop has arguably become a branch of a global R&B tradition. Anderson argues that Korean pop groups participate in that tradition through cultural work that enacts a global form of crossover and by maintaining forms of authenticity that cannot be faked, and furthermore propel the R&B tradition beyond the black-white binary"--$cProvided by publisher.
588 $aDescription based on online resource; title from digital title page (viewed on August 13, 2020).
650 0 $aPopular music$zKorea (South)$xAfrican American influences.
650 0 $aPopular music$zKorea (South)$xHistory and criticism.
650 6 $aK-pop$xHistoire et critique.
650 7 $aMUSIC / Ethnomusicology$2bisacsh
650 7 $aPopular music$2fast$0(OCoLC)fst01071422
650 7 $aPopular music$xAfrican American influences$2fast$0(OCoLC)fst01765997
651 7 $aKorea (South)$2fast$0(OCoLC)fst01206791
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aAnderson, Crystal S..$tSoul in Seoul$dJackson : University Press of Mississippi, 2020.$z9781496830098$w(DLC) 2020010046
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15156514$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS