MARC Record from marc_columbia

LEADER: 04582cam a2200721 i 4500
001 15142810
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008 200924s2020 enk ob 001 0 eng d
035 $a(OCoLC)on1197637337
035 $a(NNC)15142810
040 $aTYFRS$beng$erda$epn$cTYFRS$dTYFRS$dOCLCF$dK6U$dOCLCO$dOCLCQ
020 $a9781003103738$q(electronic bk.)
020 $a1003103731$q(electronic bk.)
020 $a9781000212969$q(electronic bk. ;$qEPUB)
020 $a1000212963$q(electronic bk. ;$qEPUB)
020 $a9781000212075$q(electronic bk. ;$qMobipocket)
020 $a1000212076$q(electronic bk. ;$qMobipocket)
020 $a9781000211306$q(electronic bk. ;$qPDF)
020 $a1000211304$q(electronic bk. ;$qPDF)
020 $z9781474286213
020 $z9781472533319
020 $z9781472527790
035 $a(OCoLC)1197637337
037 $a9781003103738$bTaylor & Francis
043 $an-us-ny
050 4 $aHV6432.7
072 7 $aHIS$x036070$2bisacsh
072 7 $aPHO$x000000$2bisacsh
072 7 $aPHO$x015000$2bisacsh
072 7 $aAB$2bicssc
082 04 $a974.7/1044$223
049 $aZCUA
100 1 $aGood, Jennifer,$eauthor.
245 10 $aPhotography and September 11th :$bspectacle, memory, trauma /$cJennifer Good.
264 1 $aAbingdon :$bRoutledge,$c2020.
300 $a1 online resource (200 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $a"First published 2015 Bloomsbury Academic."
505 0 $aAcknowledgementsList of illustrationsPreface: I was thereIntroduction1. Spectacle and Collective Memory2. Forever Seared: The Trauma of Photographic Seeing 3. Buildings Made Flesh: Notions of the Uncanny and the Real4. Reclaiming the Imagery that Haunted Us: Recovery, Community and Remembrance5. The Compulsion to Repeat: Photography as a Dead EndConclusion: Beyond WordsNotesReferencesIndex
520 $aIt is all but impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world's media pictured a spectacle of terror, from images of the collapsing towers, to injured victims and fatigued firefighters. In the days, weeks and months that followed, this vast collection of photographs continued to circulate relentlessly. This book investigates the psychological impact of those photographs on a stunned American audience. Drawing on trauma theory, this book asks whether the prolonged exposure of audience to photographs was cathartic or damaging. It explores how first the collective memory of the event was established in the American psyche and then argues that through repetitive use of the most powerful pictures, the culture industry created a dangerously simple 9/11 metanarrative. At the same time, people began to reclaim and use photography to process their own feelings, most significantly in 'communities' of photographic memorial websites. Such exercises were widely perceived as democratic and an aid to recovery. This book interrogates that assumption, providing a new understanding of how audiences see and process news photography in times of crisis.
504 $aIncludes bibliographical references and index.
545 0 $aJennifer Good is Senior Lecturer in History and Theory of Photojournalism and Documentary Photography at London College of Communication, University of the Arts, London, UK.
588 0 $aOnline resource; title from PDF title page (Taylor & Francis, viewed October 13, 2020).
610 20 $aWorld Trade Center (New York, N.Y. : 1970-2001)$vPictorial works.
610 27 $aWorld Trade Center (New York, N.Y. : 1970-2001)$2fast$0(OCoLC)fst00631494
650 0 $aSeptember 11 Terrorist Attacks, 2001$vPictorial works.
651 0 $aNew York (N.Y.)$vPictorial works.
650 0 $aTerrorism$zNew York (State)$zNew York$vPictorial works.
650 7 $aHISTORY$zUnited States$y21st Century.$2bisacsh
650 7 $aPHOTOGRAPHY$xGeneral.$2bisacsh
650 7 $aPHOTOGRAPHY$xPhotojournalism.$2bisacsh
650 7 $aTerrorism.$2fast$0(OCoLC)fst01148101
651 7 $aNew York (State)$zNew York.$2fast$0(OCoLC)fst01204333
647 7 $aSeptember 11 Terrorist Attacks$d(2001)$2fast$0(OCoLC)fst01112794
648 7 $a2001$2fast
655 4 $aElectronic books.
655 7 $aPictorial works.$2fast$0(OCoLC)fst01423874
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15142810$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS