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Record ID	marc_columbia/Columbia-extract-20221130-031.mrc:282913283:11086
Source	marc_columbia
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LEADER: 11086cam a22006611i 4500
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008 190930r20182009enk go 000 0 eng
035 $a(OCoLC)on1140132148
035 $a(NNC)15140732
040 $aUKMGB$beng$cUKMGB$dOCLCO$dOCLCF$dUAB$dZCU$dK6U$dOCLCO$dNLW$dTYFRS$dOCLCO
066 $cCyrl$c(N$c(S
015 $aGBC004757$2bnb
016 7 $a019563246$2Uk
020 $a9781317863205$qEPUB
020 $a1317863208$qEPUB
020 $z9781408204306$qpbk
024 8 $a10.4324/9781315833880$2doi
035 $a(OCoLC)1140132148
037 $a9781317863205$bIngram Content Group
037 $a9781315833880$bTaylor & Francis
050 4 $aPR4741
072 7 $aPOE$x000000$2bisacsh
082 04 $a821.8$222
049 $aZCUA
100 1 $aHardy, Thomas,$d1840-1928,$eauthor.
240 10 $aPoems.$kSelections
245 10 $aThomas Hardy :$bselected poems /$cedited by Tim Armstrong.
250 $aSecond edition.
264 1 $aLondon :$bRoutledge,$c[2018?].
264 4 $c©2009
300 $a1 online resource (392 pages).
336 $atext$2rdacontent
337 $acomputer$2rdamedia
338 $aonline resource$2rdacarrier
490 0 $aLongman annotated texts
500 $aOriginally published in print: Harlow : Pearson Longman, 2009.
505 0 $aAcknowledgements List of abbreviations Chronology Introduction Hardy#x92;s #x91;second#x92; career Turning to poetry Poetry as posthumous vision Necessity and free will Typology and the pattern of a life Sequences and patterns God and history Hardy and the dead The #x91;Poems of 1912-13#x92; Restoration and the past Wessex Hardy#x92;s style The Gothic art-principle Words Prosody Hardy and literary tradition Selecting Hardy A note on the annotations A note on the text The Poems From Wessex Poems and Other Verses (1898) The temporary the All Hap Neutral Tones The Peasant#x92;s
505 0 $aConfession A Sign-Seeker Friends Beyond Thoughts of Phena Nature#x92;s Questioning In a Eweleaze near Weatherbury #x91;I look into my glass#x92; From Poems of the Past and the Present (1901) V.R.
505 0 $aThe Old Home After the Last Breath One We Knew George Meredith, 1828-1909 Yell#x92;ham Wood#x92;s Story A Young Man#x92;s Epigram on Existence From Satires of Circumstance,
505 0 $aLyrics and Reveries (1914) In Front of Landscape Channel Firing The Convergence of Twain #x91;When I set out for Lyonnesse#x92; Wessex Heights A Singer Asleep Self-Unconscious Under the Waterfall #x91;Poems of 1912-13#x92; The Going Your Last Drive The Walk Rain on a Grave #x91;I found her out there#x92; Without Ceremony Lament The Haunt The Voice His Visitor A Circular A Dream or No After a Journey A Death-Day Recalled Beeny Cliff At Castle Boterel Places The Phantom Horsewoman The Spell of Rose St Launce#x92;s Revisited Where the Picnic Was The Obliterate Tomb The Workbox Exeunt Omnes A Poet In the
505 0 $aCemetery From Moments of Vision and Miscellaneous Verses (1917) Moments of Vision The Voice of Things Apostrophes to an Old Psalm Tune At the Word #x91;Farewell#x92; Heredity Near Laniet,
505 0 $a1872 Copying Architecture in an Old Minster To Shakespeare Quid Hic Agis? On a Midsummer Eve The Blinded Bird The Statue of Liberty The Change Lines to a Movement in Mozart#x92;s E-Flat Symphony The Pedigree His Heart: A Woman#x92;s Dream The Oxen The Photograph The Last Signal The Figure in the Scene Overlooking the River Stour The Musical Box Old Furniture The Five Students The Wind#x92;s Prophecy During Wind and Rain A Backward Spring He Revisits His First School #x91;I thought,
505 0 $aMy heart#x92; The Shadow on the Stone #x91;For Life I had never cared greatly#x92; The Pity of It In Time of #x91;The Breaking of Nations#x92; A New Year#x92;s Eve in War Time #x91;I looked up from my writing#x92; Afterwards From Late Lyrics and Earlier (1922) Weathers #x91;According to the Might Working#x92; The Contretemps #x91;And There Was a Great Calm#x92; The Selfsame Song At Lulworth Cove a Century Back The Collector Cleans His Picture On the Tune Called the Old-Hundred-and-fourth Voices from Things Growing in a Churchyard After a Romantic Day In the Small Hours Last Words to a Dumb Friend A Drizzling Easter Morning #x91;I was the midmost#x92; The
600 10 $aHardy, Thomas,$d1840-1928$xCriticism and interpretation.
600 17 $aHardy, Thomas,$d1840-1928.$2fast$0(OCoLC)fst00034596
650 0 $aEnglish poetry$y19th century.
650 6 $aPoésie anglaise$y19e siècle.
650 7 $aEnglish poetry.$2fast$0(OCoLC)fst00912278
648 7 $a1800-1899$2fast
655 0 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aArmstrong, Tim,$d1956-$eeditor.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15140732$zTaylor & Francis eBooks
880 0 $6505-00/(S$aContents AcknowledgementsList of abbreviationsChronology Introduction Hardy#x92;s #x91;second#x92; careerTurning to poetryPoetry as posthumous visionNecessity and free willTypology and the pattern of a lifeSequences and patternsGod and historyHardy and the deadThe #x91;Poems of 1912-13#x92;Restoration and the pastWessexHardy#x92;s styleThe Gothic art-principleWordsProsodyHardy and literary traditionSelecting HardyA note on the annotations A note on the text The PoemsFrom Wessex Poems and Other Verses (1898)<OL><LI>The temporary the All</LI><LI>Hap</LI><LI>Neutral Tones</LI><LI>The Peasant#x92;s Confession</LI><LI>A Sign-Seeker</LI><LI>Friends Beyond</LI><LI>Thoughts of Phena</LI><LI>Nature#x92;s Questioning</LI><LI>In a Eweleaze near Weatherbury</LI><LI>#x91;I look into my glass#x92;</LI></OL> From Poems of the Past and the Present (1901)<OL><LI>V.R. 1819-1901</LI><LI>Drummer Hodge</LI><LI>The Souls of Slain</LI><LI>Rome: Building a New Street in the Ancient Quarter</LI><LI>Rome: At the Pyramid of Cestius near the Graves of Shelley and Keats</LI><LI>A Commonplace Day</LI><LI>To an Unborn Pauper Child</LI><LI>Her Reproach</LI><LI>His Immortality</LI><LI>Winter in Durnover Field</LI><LI>The Darkling Thrush</LI><LI>The Respectable Burgher on #x91;The Higher Criticism#x92;</LI><LI>The Self-Unseeing</LI><LI>In Tenebris I</LI><LI>In Tenebris II</LI><LI>In Tenebris III</LI><LI>Tess#x92;s Lament</LI><LI>Sapphic Fragment</LI><LI>#x92;AΓΝΩΣΤΩӨЕΩ</LI></OL> From Time#x92;s Laughingstocks and Other Verses (1909)<OL><LI>The Revisitation</LI><LI>A Trampwoman#x92;s Tragedy</LI><LI>In the Mind#x92;s Eye</LI><LI>He Abjures Love</LI><LI>Let Me Enjoy</LI><LI>Julie-Jane</LI><LI>The Dead Quire</LI><LI>Night in the Old Home</LI><LI>After the Last Breath</LI><LI>One We Knew</LI><LI>George Meredith, 1828-1909</LI><LI>Yell#x92;ham Wood#x92;s Story</LI><LI>A Young Man#x92;s Epigram on Existence</LI></OL> From Satires of Circumstance, Lyrics and Reveries (1914)<OL><LI>In Front of Landscape</LI><LI>Channel Firing</LI><LI>The Convergence of Twain</LI><LI>#x91;When I set out for Lyonnesse#x92;</LI><LI>Wessex Heights</LI><LI>A Singer Asleep</LI><LI>Self-Unconscious</LI><LI>Under the Waterfall</LI></OL> #x91;Poems of 1912-13#x92;<OL><LI>The Going</LI><LI>Your Last Drive</LI><LI>The Walk</LI><LI>Rain on a Grave</LI><LI>#x91;I found her out there#x92;</LI><LI>Without Ceremony</LI><LI>Lament</LI><LI>The Haunt</LI><LI>The Voice</LI><LI>His Visitor</LI><LI>A Circular</LI><LI>A Dream or No</LI><LI>After a Journey</LI><LI>A Death-Day Recalled</LI><LI>Beeny Cliff</LI><LI>At Castle Boterel</LI><LI>Places</LI><LI>The Phantom Horsewoman</LI><LI>The Spell of Rose</LI><LI>St Launce#x92;s Revisited</LI><LI>Where the Picnic Was</LI><LI>The Obliterate Tomb</LI><LI>The Workbox</LI><LI>Exeunt Omnes</LI><LI>A Poet</LI><LI>In the Cemetery</LI></OL> From Moments of Vision and Miscellaneous Verses (1917)<OL><LI>Moments of Vision</LI><LI>The Voice of Things</LI><LI>Apostrophes to an Old Psalm Tune</LI><LI>At the Word #x91;Farewell#x92;</LI><LI>Heredity</LI><LI>Near Laniet, 1872</LI><LI>Copying Architecture in an Old Minster</LI><LI>To Shakespeare</LI><LI>Quid Hic Agis</LI><LI>On a Midsummer Eve</LI><LI>The Blinded Bird</LI><LI>The Statue of Liberty</LI><LI>The Change</LI><LI>Lines to a Movement in Mozart#x92;s E-Flat Symphony</LI><LI>The Pedigree</LI><LI>His Heart: A Woman#x92;s Dream</LI><LI>The Oxen</LI><LI>The Photograph</LI><LI>The Last Signal</LI><LI>The Figure in the Scene</LI><LI>Overlooking the River Stour</LI><LI>The Musical Box</LI><LI>Old Furniture</LI><LI>The Five Students</LI><LI>The Wind#x92;s Prophecy</LI><LI>During Wind and Rain</LI><LI>A Backward Spring</LI><LI>He Revisits His First School</LI><LI>#x91;I thought, my heart#x92;</LI><LI>The Shadow on the Stone</LI><LI>#x91;For Life I had never cared greatly#x92;</LI><LI>The Pity of It</LI><LI>In Time of #x91;The Breaking of Nations#x92;</LI><LI>A New Year#x92;s Eve in War Time</LI><LI>#x91;I looked up from my writing#x92;</LI><LI>Afterwards</LI></OL> From Late Lyrics and Earlier (1922)<OL><LI>Weathers</LI><LI>#x91;According to the Might Working#x92;</LI><LI>The Contretemps</LI><LI>#x91;And There Was a Great Calm#x92;</LI><LI>The Selfsame Song</LI><LI>At Lulworth Cove a Century Back</LI><LI>The Collector Cleans His Picture</LI><LI>On the Tune Called the Old-Hundred-and-fourth</LI><LI>Voices from Things Growing in a Churchyard</LI><LI>After a Romantic Day</LI><LI>In the Small Hours</LI><LI>Last Words to a Dumb Friend</LI><LI>A Drizzling Easter Morning</LI><LI>#x91;I was the midmost#x92;</LI><LI>The Inscription</LI><LI>The Whitewashed Wall</LI><LI>After Reading Psalms XXXIX, XL, etc.</LI><LI>Surview</LI></OL> From Human Shows, Far Phantasies, Songs and Trifles (1925)<OL><LI>Waiting Both</LI><LI>A Bird-Scene at a Rural Dwelling</LI><LI>In a Former Resort after Many Years</LI><LI>A Cathedral Façade at Midnight</LI><LI>The Monument-Maker</LI><LI>The Later Autumn</LI><LI>An East-End Curate</LI><LI>Sine Prole</LI><LI>A Shee
852 8 $blweb$hEBOOKS