MARC Record from marc_columbia

LEADER: 06042cam a2200841 i 4500
001 15140495
005 20220611233016.0
006 m o d
007 cr |||||||||||
008 191216t20202020nyua ob 001 0 eng
010 $a 2019056533
035 $a(OCoLC)on1133664144
035 $a(NNC)15140495
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dOCLCQ$dYDX$dTYFRS$dNLW$dN$T$dOCLCO
019 $a1203741573
020 $a9780367145835$qelectronic book
020 $a0367145839$qelectronic book
020 $a9780429628078$q(electronic bk. : EPUB)
020 $a0429628072$q(electronic bk. : EPUB)
020 $a0429629710$q(electronic bk. : PDF)
020 $a9780429626432$q(electronic bk. : Mobipocket)
020 $a0429626436$q(electronic bk. : Mobipocket)
020 $a9780429629716$q(electronic bk.)
020 $z9780367145828$qhardcover
024 7 $a10.4324/9780367145835.$2doi
035 $a(OCoLC)1133664144$z(OCoLC)1203741573
037 $a9780367145835$bTaylor & Francis
042 $apcc
050 04 $aND467$b.V515 2020eb
072 7 $aART$x043000$2bisacsh
072 7 $aART$x015030$2bisacsh
072 7 $aART$x006000$2bisacsh
072 7 $aAC$2bicssc
082 00 $a758/.9938$223
049 $aZCUA
245 00 $aVictorian artists' autograph replicas :$bauras, aesthetics, patronage and the art market /$cedited by Julie F. Codell.
264 1 $aNew York, NY :$bRoutledge,$c2020.
264 4 $c©2020
300 $a1 online resource (xv, 298 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aBritish art: histories and interpretations since 1700
504 $aIncludes bibliographical references and index.
520 $a"This book is a wide-ranging exploration of the production of Victorian art autograph replicas, a painting's subsequent versions created by the same artist who painted the first version. Autograph replicas were considered originals, not copies, and were highly valued by collectors in Britain, America, Japan, Australia, and South Africa. Motivated by complex combinations of aesthetic and commercial interests, replicas generated a global, and especially transatlantic, market between the 1870s and the 1940s and almost all collected replicas were eventually donated to US public museums, giving replicas authority in matters of public taste and museums' modern cultural roles. This book will be of interest to scholars in art history, museum studies, and economic history"--$cProvided by publisher.
588 $aDescription based on online resource; title from digital title page (viewed on May 19, 2020).
545 0 $aJulie F. Codell is Professor ofArt History at Arizona State University, and affiliate faculty inthe Asian Research Center, and Film and Media Studies.
505 0 $aI. Introduction 1. Artists' Autograph Replicas: Auras, Aesthetics, Copyright, and Economics -- Julie F. Codell II Autograph Replicas: Location as Meaning 2. The American Replica: The Politics and Status of the Artist's Autograph Replica in the Gilded Age -- Jo Briggs 3. "Mere dead copies"? Frank Holl's Newgate and the Lives of Painted Replicas -- Andrea Korda III. A Case Study: Albert Moore 4. Albert Moore: Themes and Variations -- Richard Green 5. Repetition, Aestheticism, and Copyright Law in the Art Practice of Albert Moore -- Robyn Asleson IV. Replicas and Artists' Agency 6. Patrons' Desire: Dante Gabriel Rossetti's Prolific Replicas - Julie F. Codell 7.
505 0 $aFord Madox Brown, Cultural Experience, and the Promise of the Replica -- Colin Trodd 8. William Powell Frith's Double Life: An Artist Coping with a Changing Market -- Sally Woodcock V. Multiple Motivations 9. The Uncertain Status of William Holman Hunt's Oil Replicas -- Judith Bronkhurst 10. G. F. Watts's Other Hope (1891): Anatomy of a Version -- Barbara Bryant 11. Dadd's Doubles -- Nicholas Tromans 12. "Splendid Architectural Paintings": The Replicas of David Roberts -- Krystyna Matyjaszkiewicz with Briony Llewellyn VI. Creativity, Reputation, and the Market 13. From Replica to Original: Abraham Solomon and the Market for Modern-Life Subjects -- Pamela Fletcher 14.
505 0 $aIs He Repeating Himself? Creative, Aesthetic, and Commercial Dialogue in the Replicas of John Frederick Lewis -- Briony Llewellyn 15. Celebrated Variations on a Theme: The Replicas of Edward Coley Burne-Jones -- Fiona Mann 16. Elizabeth Thompson Butler: A Gendered Story of Replication? -- Dorothy Nott 17. Creating and Meeting Demand: James Tissot's London Replicas -- Krystyna Matyjaszkiewicz
506 1 $aLegal Deposit;$cOnly available on premises controlled by the deposit library and to one user at any one time;$eThe Legal Deposit Libraries (Non-Print Works) Regulations (UK).$5WlAbNL
650 0 $aPainting, Victorian.
650 0 $aPainting$xFacsimiles.
650 0 $aAesthetics, Modern$y19th century.
650 0 $aArt and society$xHistory$y19th century.
650 0 $aAesthetics, Modern.
650 6 $aPeinture victorienne.
650 6 $aEsthétique$y19e siècle.
650 6 $aArt et société$xHistoire$y19e siècle.
650 7 $aART / Business Aspects$2bisacsh
650 7 $aART / European$2bisacsh
650 7 $aART / Collections, Catalogs, Exhibitions$2bisacsh
650 7 $aAesthetics, Modern.$2fast$0(OCoLC)fst00798800
650 7 $aArt and society.$2fast$0(OCoLC)fst00815432
650 7 $aPainting, Victorian.$2fast$0(OCoLC)fst01051149
648 7 $a1800-1899$2fast
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aCodell, Julie F.,$eeditor.
776 08 $iPrint version:$tVictorian artists' autograph replicas$dNew York : Routledge, 2020.$z9780367145828$w(DLC) 2019056532
830 0 $aBritish art.$pHistories and interpretations since 1700.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15140495$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS