Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:270810510:5852 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:270810510:5852?format=raw |
LEADER: 05852cam a2200757 i 4500
001 15136480
005 20220326233255.0
006 m o d
007 cr cnu|||unuuu
008 181130s2019 enk obf 001 0 eng d
035 $a(OCoLC)on1076573621
035 $a(NNC)15136480
040 $aN$T$beng$erda$epn$cN$T$dN$T$dYDX$dEBLCP$dUKMGB$dWAU$dN$T$dVTU$dOCLCQ$dOCLCO$dOCLCA$dOCLCQ$dOCLCO$dOCLCQ$dZCU$dOCLCQ$dOCLCO$dOCLCQ$dOCLCO
015 $aGBB8M0716$2bnb
016 7 $a019143101$2Uk
019 $a1078558715
020 $a9781351254663$q(electronic bk.)
020 $a1351254669$q(electronic bk.)
020 $a9781351254670$q(electronic book)
020 $a1351254677$q(electronic book)
020 $a9781351254656$q(electronic book)
020 $a1351254650$q(electronic book)
020 $a9781351254687$q(electronic book)
020 $a1351254685$q(electronic book)
020 $z0815368410$q(hardback)
020 $z9780815368410$q(hardback)
024 7 $a10.4324/9781351254687$2doi
035 $a(OCoLC)1076573621$z(OCoLC)1078558715
037 $a9781351254663$bIngram Content Group
050 4 $aHV1568$b.R68 2019e
072 7 $aART$x060000$2bisacsh
072 7 $aART$x025000$2bisacsh
082 04 $a700.4527$223
049 $aZCUA
245 04 $aThe Routledge handbook of disability arts, culture, and media /$cedited by Bree Hadley and Donna McDonald.
264 1 $aAbingdon, Oxon :$bRoutledge,$c2019.
300 $a1 online resource (xviii, 402 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge international handbooks
504 $aIncludes bibliographical references and index.
505 0 $a1. Introduction: disability arts, culture, and media studies: mapping a maturing field -- 2. Great reckonings in more accessible rooms: the provocative reimaginings of disability theatre -- 3. Visual narratives: contemplating the storied images of disability and disablement -- 4. Dis/ordered assemblages of disability in museums -- 5. The Down Syndrome novel: a microcosm for inclusion or parental trauma narrative -- 6. Paralympics, para-sport bodies, and legacies of media representation -- 7. Beauty and the Beast: providing access to the theatre for children with autism -- 8. Moving beyond the art-as-service paradigm: the evolution of arts and disability in Singapore -- 9. Ten years of Touch Compass Dance Company's integrated education programme under the spotlight: a reflective essay -- 10. Inclusive capital, human value and cultural access: a case study of disability access at Yosemite National Park -- 11. Gender representation, power, and identity in mental health and art therapy -- 12. Demarcating dementia on the contemporary stage -- 13. Ways of watching: five aesthetics of learning disability theatre -- 14. History, performativity, and dialectics: critical spectatorship in learning disabled performance -- 15. Institution, care, and emancipation in contemporary theatre involving actors with intellectual disabilities -- 16. Sweet Gongs Vibrating: the politics of sensorial access -- 17. Crip aesthetics in the work of Persimmon Blackbridge -- 18. Exquisite model: Riva Lehrer, portraiture, and risk -- 19. On the fringe of the Fringe: artmaking, access, rights, and community -- 20. The last avant garde? -- 21. Seeing things differently: Danielle's place making -- 22. ADAPT in space! Science fiction and disability: storying interdependence -- 23. Environments, ecologies, and climates of crises: engaging disability arts and cultures as creative wilderness -- 24. Changing representations of disability in children's toys as popular culture -- 25. Economies of scales (and chords): disability studies and adaptive music -- 26. Accidental leaders: inclusion, career pathways, and autonomy among dancers with disabilities -- 27. Performing disability: representation and power in 'Classical' Indian dance -- 28. Disability arts in an age of austerity -- 29. Conclusion: practicing interdependency, sharing vulnerability, celebrating complexity: the future of disability arts, culture, and media research -- 30. Plain language summary.
588 0 $aPrint version record.
520 $a"In the last 30 years, a distinctive intersection between disability studies - including disability rights advocacy, disability rights activism, and disability law - and disability arts, culture, and media studies has developed. The two fields have worked in tandem to offer critique of representations of disability in dominant cultural systems, institutions, discourses, and architecture, and develop provocative new representations of what it means to be disabled."--Back cover
650 0 $aPeople with disabilities$vHandbooks, manuals, etc.
650 6 $aPersonnes handicapées$vGuides, manuels, etc.
650 7 $aART$xPerformance.$2bisacsh
650 7 $aART$xReference.$2bisacsh
650 7 $aPeople with disabilities.$2fast$0(OCoLC)fst01057245
650 7 $aBehinderung$2gnd
650 7 $aKultur$2gnd
650 7 $aKunst$2gnd
650 7 $aMassenmedien$2gnd
650 7 $aDisability Studies$2gnd
655 2 $aHandbook
655 4 $aElectronic books.
655 7 $aHandbooks and manuals.$2fast$0(OCoLC)fst01423877
655 7 $aHandbooks and manuals.$2lcgft
655 7 $aGuides et manuels.$2rvmgf
700 1 $aHadley, Bree,$eeditor.
700 1 $aMcDonald, Donna,$d1955-$eeditor.
776 08 $iPrint version:$tRoutledge handbook of disability arts, culture, and media.$dAbingdon, Oxon ; New York, NY : Routledge, 2019$z9780815368410$w(DLC) 2018033986$w(OCoLC)1060181640
830 0 $aRoutledge international handbooks.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15136480$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS