MARC Record from marc_columbia

LEADER: 04067cam a2200625 i 4500
001 15124232
005 20220326232251.0
006 m o d
007 cr cnu|||unuuu
008 170721s2016 enk ob 001 0 eng d
035 $a(OCoLC)ocn994220912
035 $a(NNC)15124232
040 $aN$T$beng$erda$epn$cN$T$dIDEBK$dN$T$dOCLCQ$dTYFRS$dOCLCF$dOCLCQ$dYDX$dUWO$dOCLCQ$dK6U$dOCLCO$dOCLCQ$dUKMGB$dNLW$dOCLCO
015 $aGBB7E7842$2bnb
016 7 $a018425622$2Uk
019 $a993590887$a993637049$a1063671894$a1282663742
020 $a9781351566148$q(electronic bk.)
020 $a1351566148$q(electronic bk.)
020 $a9781315093789
020 $a1315093782
020 $z9780859678162
020 $z0859678164
035 $a(OCoLC)994220912$z(OCoLC)993590887$z(OCoLC)993637049$z(OCoLC)1063671894$z(OCoLC)1282663742
037 $a9781351566148$bIngram Content Group
041 1 $aeng$hger
050 4 $aML60
072 7 $aMUS$x006000$2bisacsh
072 7 $aMUS$x033000$2bisacsh
082 04 $a780$223
049 $aZCUA
100 1 $aFurtwängler, Wilhelm,$d1886-1954,$eauthor.
245 10 $aFurtwängler on music :$bessays and addresses /$cedited and translated by Ronald Taylor.
264 1 $aLondon :$bRoutledge,$c2016.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed August 21, 2017).
504 $aIncludes bibliographical references and index.
520 $a"Wilhelm Furtw?ler left not only some of the greatest interpretations of operatic and symphonic music on record, but also expressed his views on musical issues of the moment in a number of outspoken essays and talks. His writings range from practical matters of performance and interpretation to aesthetic reflections on what he saw as the alarming direction in which music was developing in the wake of Schoenberg and the twelve-tone system of composition. Professor Ronald Taylor has here, for the first time, translated and annotated a selection of Furtw?ler's writings covering the four decades from the First World War to the conductor's death in 1954, and prefaced them with an essay on Furtw?ler's controversial career and complicated personality. The result is a collection of stimulating pieces with a claim on our attention, made all the greater for reflecting the musical and philosophical ideals of one of the great conductors of the twentieth century."--Provided by publisher
505 0 $aPart Part I The Practice of Music -- chapter 1 Concert Programmes -- chapter 2 Principles of Interpretation -- chapter 3 The Tools of the Conductor's Trade -- chapter 4 Observations of a Composer -- part Part II On Composers -- chapter 5 Bach -- chapter 6 Beethoven -- chapter 7 Mendelssohn -- chapter 8 Wagner -- chapter 9 Brahms -- chapter 10 Bruckner -- chapter 11 Hindemith -- part Part III On Art and Life -- chapter 12 Thoughts for All Seasons -- chapter 13 Open Letter to Dr Joseph Goebbels -- chapter 14 Farm and Chaos -- chapter 15 'Greatness is Simplicity'.
506 1 $aLegal Deposit;$cOnly available on premises controlled by the deposit library and to one user at any one time;$eThe Legal Deposit Libraries (Non-Print Works) Regulations (UK).$5WlAbNL
540 $aRestricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.$5WlAbNL
650 0 $aMusic.
650 2 $aMusic
650 6 $aMusique.
650 7 $aMUSIC$xGenres & Styles$xClassical.$2bisacsh
650 7 $aMUSIC$xReference.$2bisacsh
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aTaylor, Ronald,$eeditor,$etranslator.
776 08 $iPrint version:$z9780859678162$z9781138276987
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15124232$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS