MARC Record from marc_columbia

LEADER: 03898cam a2200529Ii 4500
001 15124133
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006 m o d
007 cr cnu|||unuuu
008 170720r20162009enk ob 001 0 eng d
035 $a(OCoLC)ocn994205889
035 $a(NNC)15124133
040 $aN$T$beng$erda$epn$cN$T$dN$T$dTYFRS$dOCLCF$dOCLCQ$dOCL$dUWO$dOCLCQ$dK6U$dOCLCO
019 $a993644451
020 $a9781351552196$q(electronic bk.)
020 $a1351552198$q(electronic bk.)
020 $a9781315089133
020 $a1315089130
020 $z9780754666677
035 $a(OCoLC)994205889$z(OCoLC)993644451
050 4 $aML700
072 7 $aMUS$x023030$2bisacsh
072 7 $aMUS$x037080$2bisacsh
082 04 $a786.2/146$223
049 $aZCUA
100 1 $aHellaby, Julian,$d1956-$eauthor.
245 10 $aReading musical interpretation :$bcase studies in solo piano performance /$cJulian Hellaby.
264 1 $aMilton Park, Abingdon, Oxon ;$aNew York, NY :$bRoutledge, Taylor & Francis Group,$c2016.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $aOriginally published 2009 by Ashgate Publishing.
504 $aIncludes bibliographical references and index.
520 $aPerformance studies in the Western art music tradition have often been dominated by the relationship of theoretical score-analysis to performance, although some recent trends have aimed at dislodging the primacy of the score in favour of assessing performance on its own terms. In this book Julian Hellaby further develops these trends by placing performance firmly at the heart of his investigations and presents a structured approach to analysing the interpretation of a musical work from the perspective of a musically informed listener. To enable analysis of individual interpretations, the author develops a conceptual framework in which a series of performance-related categories is arranged hierarchically into an 'interpretative tower'. Using this framework to analyse the acoustic evidence of a recording, interpretative elements are identified and used to assess the relationship between a performance and a work. The viability of the interpretative tower is tested in three major case studies. Contrasting recorded performances of solo keyboard works by Bach, Messiaen and Brahms are the focus of these studies, and analysis of the performances, using the tower model, uncovers an interpretative rationale. The book is wide-ranging in scope and holistic in approach, offering a means of enhancing a listener's appreciation of an interpretation. It is richly illustrated with examples taken from commercial recordings and from the author's own recordings of the three focal works.
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed August 15, 2017).
505 0 $aPart PART I CONSTRUCTING A FRAMEWORK FOR LISTENING -- chapter 1 Writing, Performing and Listening -- chapter 2 Constructing a Framework -- part PART II CASE STUDIES: APPLYING THE FRAMEWORK -- chapter 3 Bach: Toccata in D major BWV 912 -- chapter 4 Messiaen: 'Première communion de la Vierge' -- chapter 5 Brahms: Variations and Fugue on a Theme by Handel Opages 24 -- chapter 6 Conclusion.
650 0 $aPiano music$xInterpretation (Phrasing, dynamics, etc.)
650 6 $aPiano, Musique de$xInterprétation.
650 7 $aMUSIC$xMusical Instruments$xPiano & Keyboard.$2bisacsh
650 7 $aMUSIC$xPrinted Music$xPercussion.$2bisacsh
650 7 $aPiano music$xInterpretation (Phrasing, dynamics, etc.)$2fast$0(OCoLC)fst01063409
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$z9780754666677
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15124133$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS