| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:226836146:3491 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:226836146:3491?format=raw |
LEADER: 03491cam a22006617c 4500
001 15124123
005 20221112232739.0
006 m o d
007 cr cnu|||unuuu
008 170720t20162010enka ob 001 0 eng d
035 $a(OCoLC)ocn994205870
035 $a(NNC)15124123
040 $aN$T$beng$erda$epn$cN$T$dN$T$dYDX$dIDEBK$dOCLCF$dUKMGB$dOL$$dUKAHL$dCUV$dOCLCO$dOCLCQ
015 $aGBB7F4905$2bnb
016 7 $a018474770$2Uk
019 $a993587397$a994997347$a999654459$a1001728557$a1001975857$a1001989839$a1003973386$a1019996768$a1022750556$a1027195694
020 $a9781351541879$qelectronic bk.
020 $a1351541870$qelectronic bk.
020 $a9781351541862
020 $a1351541862
020 $z9781138253261
020 $z113825326X
020 $z9780754667759
020 $z0754667758
020 $z1351541854
020 $z1315085690
035 $a(OCoLC)994205870$z(OCoLC)993587397$z(OCoLC)994997347$z(OCoLC)999654459$z(OCoLC)1001728557$z(OCoLC)1001975857$z(OCoLC)1001989839$z(OCoLC)1003973386$z(OCoLC)1019996768$z(OCoLC)1022750556$z(OCoLC)1027195694
037 $a1019030$bMIL
050 4 $aML1015.G9
072 7 $aMUS$x023040$2bisacsh
082 04 $a787.87$223
049 $aZCUA
100 1 $aDawe, Kevin,$eauthor.
245 14 $aThe New Guitarscape in Critical Theory, Cultural Practice and Musical Performance$cKevin Dawe, University of Leeds, UK
264 1 $aAbingdon, Oxon$aNew York$bRoutledge$c2016
264 4 $c©2010
300 $a1 online resource$billustration
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aAshgate popular and folk music series
588 0 $aPrint version record
504 $aIncludes bibliographical references and index
500 $a"An Ashgate book"--Cover
500 $a"First published 2010 by Ashgate Publishing"--Title page verso
505 0 $aTen musical lives of the guitar -- Taking stock of the guitar phenomenon -- The new guitarscape and musical instrument studies -- Notes on guitarscaping -- Materiality and the virtual guitar -- The sensual culture of the guitar -- Gender and sexuality in the new guitarscape -- The power and agency of the guitar -- Guitars, travel and translation
520 $aKevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument. In order to understand the properties and potential of the guitar as an agent of music, culture and society, the author draws from studies in science and technology, design theory, material culture, cognition, sensual culture, gender and sexuality, power and agency, ethnography (real and virtual) and globalization.--Back cover
650 0 $aGuitar.
650 0 $aGuitar$xSocial aspects.
650 6 $aGuitare.
650 6 $aGuitare$xAspect social.
650 7 $aguitars.$2aat
650 7 $aMUSIC$xMusical Instruments$xStrings.$2bisacsh
650 7 $aGuitar$2fast$0(OCoLC)fst00949140
776 08 $iPrint version:$aDawe, Kevin.$tNew Guitarscape in Critical Theory, Cultural Practice and Musical Performance.$dLondon and New York : Routledge, Taylor and Francis Group, 2016$z9781138253261$w(OCoLC)1078149209
830 0 $aAshgate popular and folk music series.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15124123$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS