MARC Record from marc_columbia

LEADER: 04389cam a2200625Ii 4500
001 15123441
005 20220703233737.0
006 m o d
007 cr cnu---unuuu
008 170714s2016 enk ob 001 0 eng d
035 $a(OCoLC)ocn993690220
035 $a(NNC)15123441
040 $aIDEBK$beng$epn$cIDEBK$dN$T$dOCLCQ$dTYFRS$dOCLCF$dOCLCQ$dYDX$dUWO$dOCLCQ$dUKAHL$dK6U$dOCLCO
019 $a993598172$a993638468
020 $a9781351569804$q(electronic bk.)
020 $a1351569805$q(electronic bk.)
020 $a9781315095004
020 $a1315095009
020 $z9780754641056
020 $z0754641058
035 $a(OCoLC)993690220$z(OCoLC)993598172$z(OCoLC)993638468
043 $ae-fr---
050 4 $aML410.S48$bW37 2016
072 7 $aMUS$x006000$2bisacsh
072 7 $aMUS$x033000$2bisacsh
082 04 $a780.92$223
049 $aZCUA
100 1 $aWaters, Robert$q(Robert Francis),$eauthor.
245 10 $aDéodat de Séverac :$bmusical identity in fin de siècle France /$cRobert F. Waters.
264 1 $aLondon :$bRoutledge,$c2016.
300 $a1 online resource (289)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed August 9, 2017)
504 $aIncludes bibliographical references and index.
520 $a"Déodat de Séverac (1872-1921) is best known for his piano music but his compositions included orchestral and vocal works, including opera, cantata and incidental music. Claude Debussy described Séverac's music as "exquisite and rich with ideas." The early works were influenced by Impressionist harmonies, church modes, cyclic techniques, folk-like melodies and Andalusian motives. Séverac's style changed dramatically in 1907 when he left Paris and began to include Catalan elements in his compositions - a transition that has hitherto gone unrecognized. Robert Waters provides a much-needed study of the life and works of Séverac, focusing on the composer's regionalist philosophy. Séverac's engagement with folk music was not a patriotic gesture in the vein of nationalistic composers, but a way of expressing regional identity within France to counter the restrictive styles sanctioned by the Paris Conservatory. His musical philosophy mirrored larger social and political debates regarding anti-centralist positions on education, politics, art and culture in fin de siècle France. Such debates involved political and social leaders whom Séverac knew and personally admired, including the writer Maurice Barré and the poet Frédric Mistral. The book will appeal to those specializing in French music, European ethnic musics, piano music and French music history."--Provided by publisher.
505 0 $aPart Part I Introduction, Biography, and Regionalist Philosophy -- chapter 1 Introduction -- chapter 2 Biography -- chapter 3 Le Regionalisme -- part Part II Compositions from the Paris Years, 1896-1909 -- chapter 4 Severac, Christianity, and Organ Music -- chapter 5 Songs -- chapter 6 Opera: Le Coeur du Moulin (The Heart of the Mill) -- chapter 7 Piano Music -- chapter 8 Unpublished, Unfinished, Lost, and Recently Published Works -- part Part III Catalan Music, 1910-1921 -- chapter 9 Catalan Regionalism: Politics and Music -- chapter 10 Severac's Catalan Works -- chapter 11 Conclusion.
600 10 $aSéverac, Déodat de,$d1872-1921$xCriticism and interpretation.
600 17 $aSéverac, Déodat de,$d1872-1921.$2fast$0(OCoLC)fst00120724
650 0 $aMusic$zFrance$xHistory and criticism.
650 0 $aMusic$zSpain$zCatalonia$y20th century$xHistory and criticism.
650 6 $aMusique$zFrance$xHistoire et critique.
650 7 $aMUSIC$xGenres & Styles$xClassical.$2bisacsh
650 7 $aMUSIC$xReference.$2bisacsh
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
651 7 $aSpain$zCatalonia.$2fast$0(OCoLC)fst01206043
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$z9780754641056$z9781138274273
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15123441$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS