Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:210916075:5083 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:210916075:5083?format=raw |
LEADER: 05083cam a2200745Ma 4500
001 15117418
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006 m o d
007 cr cn|||||||||
008 170217r20162011enkae ob 001 0 eng d
035 $a(OCoLC)ocn973026719
035 $a(NNC)15117418
040 $aTYFRS$beng$epn$cTYFRS$dOCLCO$dN$T$dOCLCF$dOCLCQ$dNLE$dOCL$dTYFRS$dAU@$dOCLCQ$dUKMGB$dUKAHL$dEBLCP$dA7U$dOCLCQ$dK6U$dOCLCO
015 $aGBB7N6357$2bnb
016 7 $a018137534$2Uk
019 $a965444554$a965774362$a1063597565
020 $a9781315239415$q(e-book ;$qPDF)
020 $a1315239418
020 $a9781351888981
020 $a1351888986
020 $a9781351888974$q(EPUB)
020 $a1351888978$q(EPUB)
020 $z9780754660620
035 $a(OCoLC)973026719$z(OCoLC)965444554$z(OCoLC)965774362$z(OCoLC)1063597565
037 $a9781351888974$bIngram Content Group
043 $ae------
050 4 $aNA2706.E85$bB67 2016
072 7 $aARC$x022000$2bisacsh
072 7 $aARC$x024010$2bisacsh
072 7 $aARC$x015000$2bisacsh
072 7 $aARC$x012000$2bisacsh
082 14 $a720$bB734
082 04 $a720$bB734
049 $aZCUA
100 1 $aBork, Robert Odell,$d1967-
245 14 $aThe geometry of creation :$barchitectural drawing and the dynamics of gothic design /$cRobert Bork.
260 $aLondon ;$aNew York :$bRoutledge,$c2016.
300 $a1 online resource (xxi, 462 pages) :$billustrations, plans
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $a"First published 2011 by Ashgate Publishing"--Title page verso.
504 $aIncludes bibliographical references and index.
505 0 $a1. The origins of gothic architectural drawing -- 2. The flowering of Rayonnant drawing in the Rhineland -- 3. Italian drawings up to 1350 -- 4. Germanic tower drawings and the elaboration of tradition -- 5. Wider horizons -- 6. The Italian challenge to the gothic design system.
520 $aThe flowering of Gothic architecture depended to a striking extent on the use of drawing as a tool of design. By drawing precise "blueprints" with simple tools such as the compass and straightedge, Gothic draftsmen were able to develop a linearized architecture of unprecedented complexity and sophistication. Examination of their surviving drawings can provide valuable and remarkably intimate information about the Gothic design process. Gothic drawings include compass pricks, uninked construction lines, and other telltale traces of the draftsman's geometrically based working method. The proportions of the drawings, moreover, are those actually intended by the designer, uncompromised by errors introduced in the construction process. All of these features make these drawings ideal subjects for the study of Gothic design practice, but their geometry has to date received little systematic attention. This book offers a new perspective on Gothic architectural creativity. It shows, in a series of rigorous geometrical case studies, how Gothic design evolved over time, in two senses: in the hours of the draftsman's labor, and across the centuries of the late Middle Ages. In each case study, a series of computer graphics show in unprecedented detail how a medieval designer could have developed his architectural concept step by step, using only basic geometrical operations. Taken together, these analyses demonstrate both remarkable methodological continuity across the Gothic era, and the progressive development of new and sophisticated permutations on venerable design themes. This rich tradition ultimately gave way in the Renaissance not because of any inherent problem with Gothic architecture, but because the visual language of Classicism appealed more directly to the pretensions of Humanist princes than the more abstract geometrical order of Gothic design, as the book's final chapter demonstrates.
650 0 $aArchitectural drawing, Medieval.
650 0 $aArchitecture, Gothic$vDesigns and plans.
650 0 $aGeometry in architecture$zEurope.
650 6 $aDessin d'architecture médiéval.
650 6 $aArchitecture gothique$vDessins et plans.
650 6 $aGéométrie en architecture$zEurope.
650 7 $aARCHITECTURE$xAdaptive Reuse & Renovation.$2bisacsh
650 7 $aARCHITECTURE$xBuildings$xLandmarks & Monuments.$2bisacsh
650 7 $aARCHITECTURE$xProfessional Practice.$2bisacsh
650 7 $aARCHITECTURE$xReference.$2bisacsh
650 7 $aArchitectural drawing, Medieval.$2fast$0(OCoLC)fst01199914
650 7 $aArchitecture, Gothic.$2fast$0(OCoLC)fst00813758
650 7 $aGeometry in architecture.$2fast$0(OCoLC)fst00940895
651 7 $aEurope.$2fast$0(OCoLC)fst01245064
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aArchitectural drawings.$2fast$0(OCoLC)fst01986246
776 1 $z9780754660620$z9781138247673
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15117418$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS