MARC Record from marc_columbia

LEADER: 04057cam a2200661Ii 4500
001 15110301
005 20220528232740.0
006 m o d
007 cr cnu|||unuuu
008 160401s2016 enk ob 001 0 eng d
035 $a(OCoLC)ocn945771790
035 $a(NNC)15110301
040 $aN$T$beng$erda$epn$cN$T$dN$T$dIDEBK$dTYFRS$dOCLCF$dCDX$dYDX$dUAB$dOCLCQ$dU3W$dOCLCQ$dSSC$dNLE$dUKMGB$dLEAUB$dUKAHL$dOCLCQ$dNLW$dOCLCO
015 $aGBB6F5168$2bnb
016 7 $a017807436$2Uk
019 $a959535297$a966921952
020 $a9781317232865$q(electronic bk.)
020 $a1317232860$q(electronic bk.)
020 $a9781317232858
020 $a1317232852
020 $a1138649627
020 $a9781138649620
020 $a9781315625720
020 $a1315625725
020 $z9781138649620
035 $a(OCoLC)945771790$z(OCoLC)959535297$z(OCoLC)966921952
037 $a4470611$bProquest Ebook Central
043 $aa-ii---
050 4 $aPN1993.5.I8
072 7 $aPER$x009000$2bisacsh
082 04 $a791.43/0954792$223
049 $aZCUA
245 00 $aSalaam Bollywood :$brepresentations and interpretations /$cedited by Vikrant Kishore, Amit Sarwal and Parichay Patra.
264 1 $aAbingdon, Oxon :$bRoutledge,$c2016.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed April 5, 2016).
505 0 $aCover; Title; Copyright; Contents; Contributors; Foreword; Salaam Bollywood: introduction; Part I Histories: mainstream and alternative; 1 Myths, markets and panics: Bombay cinema and the historical significance of the popularity of two Gujarati stage plays at the turn of the 20th century; 2 The left encounter: progressive voices of nationalism and Indian cinema to the 1950s; 3 Genre mixing as creative fabrication; 4 What do the villains have? Indian cinema's villains in the 1970s; 5 Inward bound: self-referentiality in Bombay cinema; Part II Bollywood dance: rereading history
505 8 $a6 Dancing to the songs: history of dance in popular Hindi films7 Designing the song and dance sequences: Exploring Bollywood's cinematic creativity; 8 The item girl: tradition and transgression in Bollywood dancing; Part III Changes in the cityscape, changes in cinema; 9 Regionalist disjuncture in Bollywood: Dabangg and the consumerist cinema; 10 Mourning and blood-ties: Macbeth in Mumbai; 11 Black Friday: a screen history of the 1993 Bombay bomb blasts; 12 The re-mapped dialectics of contemporary Indian cinema: Kahaani and That Girl in Yellow Boots; Part IV Other regions, other nations
505 8 $a13 Marking out the 'South' in/of Hindi cinema: an approach via remakes14 Between solidarity and the stereotype: Chandni Chowk to China; 15 The Khan Mania: universal appeal of superstar Shahrukh Khan in a post-globalised Bollywood era; 16 Old wine in a new bottle: Bollywood films shot in Australia after 9/11; 17 The way cinema was banished: the intervention of cinema studies in India; Index
650 0 $aMotion picture industry$zIndia$zMumbai.
650 0 $aMotion pictures, Hindi$zIndia$zMumbai.
650 6 $aCinéma hindi$zInde$zMumbai.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aMotion picture industry.$2fast$0(OCoLC)fst01027150
650 7 $aMotion pictures, Hindi.$2fast$0(OCoLC)fst01741197
651 7 $aIndia$zMumbai.$2fast$0(OCoLC)fst01802300
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aKishore, Vikrant,$d1976-$eeditor.
700 1 $aSarwal, Amit,$eeditor.
700 1 $aPatra, Parichay,$d1985-$eeditor.
776 08 $iPrint version:$aKishore, Vikrant.$tSalaam Bollywood : Representations and interpretations.$d: Taylor and Francis, ©2016$z9781138649620
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15110301$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS