MARC Record from marc_columbia

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001 15064707
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008 020627s2003 enka ob 001 0 eng c
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035 $a(NNC)15064707
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050 4 $aML3918.P67$bC66 2003
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049 $aZCUA
100 1 $aConnell, John,$d1946-
245 10 $aSound tracks :$bpopular music, identity, and place /$cJohn Connell and Chris Gibson.
260 $aLondon ;$aNew York :$bRoutledge,$c2003.
300 $a1 online resource (xii, 320 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aCritical geographies ;$v17
504 $aIncludes bibliographical references (pages 282-306) and index.
505 0 $aInto the music -- Music and place : 'fixing authenticity' -- Music and movement : overcoming space -- The place of lyrics -- Sounds and scenes : a place for music? -- Music communities : national identity, ethnicity, and place -- New worlds : music from the margins? -- A world of flows : music, mobility, and transnational soundscapes -- Aural architecture : the spaces of music -- Marketing place : music and tourism -- Terra Digitalia? : music, copyright, and territory in the information age -- The long and winding road--
520 1 $a"Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts." "Sound Tracks traces the ways in which music has informed complex globalisations, the role of companies and technology in diffusion, innovation and commercialism and the wider significance of cultural industries. It links migration and mobility to new musical practices, whether in 'developing' countries of metropolitan centres, and traces the recent rise of 'music tourism'. It examines issues of authenticity and credibility, and the quest for roots within different musical genres, from buskers to brass bands, and from rap to rai. Sound Tracks emphasises music's contributions to the contradictions, illusions and celebrations of contemporary life. It situates music and the music industry within spatial theories of globalisation and local change: fixity and fluidity entangled." "In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, through claims to tradition, 'authenticity' and originality, and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought."--Jacket.
546 $aEnglish.
650 0 $aPopular music$xSocial aspects.
650 0 $aMusic and geography.
650 0 $aGlobalization$xSocial aspects.
650 6 $aMusique populaire$xAspect social.
650 6 $aMusique et géographie.
650 6 $aMondialisation$xAspect social.
650 7 $aMUSIC$xGenres & Styles$xInternational.$2bisacsh
650 7 $aMUSIC$xGenres & Styles$xPop Vocal.$2bisacsh
650 7 $aMUSIC$xGenres & Styles$xNew Age.$2bisacsh
650 7 $aGlobalization$xSocial aspects.$2fast$0(OCoLC)fst00943547
650 7 $aMusic and geography.$2fast$0(OCoLC)fst01030476
650 7 $aPopular music$xSocial aspects.$2fast$0(OCoLC)fst01071460
650 17 $aPopmuziek.$2gtt
650 17 $aSociale identiteit.$2gtt
650 17 $aGeografische aspecten.$2gtt
650 17 $aCulturele aspecten.$2gtt
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aElectronic books.$2lcgft
700 1 $aGibson, Chris,$d1973-
776 08 $iPrint version:$aConnell, John, 1946-$tSound tracks.$dLondon ; New York : Routledge, 2003$z0415170273$z0415170281$w(DLC) 2002068163$w(OCoLC)48678431
830 0 $aCritical geographies ;$v17.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15064707$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS